Sausage Grinder: Los Angeles’ all-natural hillbilly and country blues band, combines the traditional sounds of fiddle and banjo breakdowns with the low-down sound of country blues, topped off with a touch of ragtime and hillbilly jazz. The versatile acoustic ensemble features fiddle, banjo, guitar, mandolin, washboard, and a few odds and ends.
Saturday, March 22nd at 8pm
doors open at 7:30pm
Talking Stick Cafe
1411 Lincoln Blvd., Venice, CA 90291
General Admission: $18
FolkWorks members (Friend and above): $16
Online: Click here
FolkWorks PO Box 55051
Sherman Oaks, CA 91413
Information 818-785-3839 concerts@FolkWorks.org
(Click on hyperlink for tickets)
Series at the Talking Stick Café
FolkWorks Benefit Concert April 26th
Swing Riots Quirktette, Sausage Grinder, Nevenka, Tunacious
emcee: Tracy Newman
Rose Garden of Peace Concert May 31st
With Yuval Ron Ensemble
MORE PETE APPRECIATIONS
Waist Deep In the Big Muddy:
How One Song Broke the Blacklist,
Ended the War and Changed America
Waist Deep In the Big Muddy is the Mona Lisa of protest songs, not because it is the greatest antiwar song ever written—though it surely is that—but because it occupies a historical place that will never be duplicated. It is the song Pete Seeger wrote and sang that fully restored his place in the American pantheon and public media after 17 years of being blacklisted from network television. In 1950 The Weavers—the folk quartet he, with Lee Hays, Fred Hellerman and Ronnie Gilbert, founded in 1949 and shot to the top of the Hit Parade with Leadbelly’s theme song Goodnight Irene—were cited by the entertainment industry’s blacklist Red Channels—which in turn gave rise to a book that specifically targeted folk singers called Marxist Minstrels. The Weavers were effectively destroyed just as they were really getting started and saw two years of nightclub and concert bookings cancelled overnight.
Pete Seeger, the only one of them capable of pursuing a solo performing career, never appeared on a network television show until 1967 despite hit songs like Turn, Turn, Turn (the Byrds), If I Had a Hammer (Peter, Paul & Mary), Where Have All the Flowers Gone (The Kingston Trio), Kisses Sweeter Than Wine (Jimmie Rodgers), Guantanamera (The Sandpipers), Wimoweh (recorded under the title The Lion Sleeps Tonight by the Tokens), Tzena, Tzena, Tzena (the Weavers), Woody Guthrie’s This Land Is Your Land and So Long, It’s Been Good to Know You (the Weavers), Leadbelly’s Goodnight Irene (the Weavers) and his own hit recording of Malvina Reynolds song Little Boxes. That’s a dozen hit songs—enough for a Greatest Hits album, which Pete eventually had on Columbia Records—the same label that recorded Billie Holiday, Bob Dylan and Bruce Springsteen.
The Book of Altman: A Review of The Book of Mormon
At the Pantages Theatre in Hollywood
February 5, 2104
An account written by the hand of Altman upon plates taken from the plates of Nephi;
Transcribed by RA in the annum MMXIV.
What can a folk singer say about a Tony Award-winning Broadway musical that is still playing on the Great White Way and also in various touring productions around the country, one of which thankfully landed at the Pantages Theatre in Hollywood, where Jill and I and Paula saw it last night, thanks to my cultured friends Jan and Jerry, who gave us 3 tickets they didn’t need. I’ll tell you what I was expecting to see, based on its creators Trey Parker and Matt Stone’s smash hit TV series South Park, with music and lyrics by Robert Lopez. A foul-mouthed satire of organized religion, belittling the faith of ordinary mortals and bringing to the fore the alternative views of such famous atheists as scientist Richard Dawkins, comedian Bill Maher and the late great critic Christopher Hitchens.
Bob Dylan’s Goal-line Stand for Detroit
Once again my purist friends are out there screaming that the definitive protest singer from the sixties has sold out by doing not one but two Super Bowl commercials—one for Chobani Yogurt by licensing his original recording of I Want You to rev up your taste buds for their tangy, creamy product, and two by appearing in person on behalf of Fiat’s newly purchased car company from Detroit—the one that Dylan’s old confrere Tom Paxton brilliantly satirized back in 1980 with I’m Changing My Name to Chrysler.
As the soundtrack to Dylan’s voice over narration indicates (with his Oscar-winning song from 2000 film, The Wonder Boys) Things Have Changed.
The Music We Danced To, Part 2
It turned out I picked a good time for an unemployed artist to look for work—Democrat Jimmy Carter had instituted a modern version of the WPA—the Works Progress Administration—which during the Great Depression put artists to work across this great land, writers, photographers, painters and musicians being called into service by FDR to use their art in service to their country. It was this program that employed photographer Dorothea Lange to take pictures of migrant workers in migrant camps in California—the place where she took her most famous photograph—Migrant Mother—which became one of the symbols of the Great Depression. Novelist John Dos Passos was hired to write travel guides for different regions of America—and they became indelible portraits of a nation caught—as the late Irish poet Seamus Heaney so eloquently put it—between hope and history. And eventually Woody Guthrie was hired for 28 days by the Department of the Interior to go up to Washington State and write songs for the Bonneville Power Dam Administration—which became his classic Columbia River songs and were finally rediscovered twenty-five years later and released on Rounder Records.
TITLE: STREETS CRACKED
ARTIST: JEFF GOLD
LABEL: WINDYAPPLE RECORDS
RELEASE DATE: FEBRUARY 18, 2014
The Power of Critical Thinking:
As a freshman at UCLA in 1965 I had the good fortune to study American History with Professor Donald Meyer, author of the new book and now modern classic The Positive Thinkers, an analytic survey of the predecessors to Norman Vincent Peale’s bestseller The Power of Positive Thinking. He demonstrated that the sources of Peale’s panaceas ran deep in our culture, from popular religious figures like Mary Baker Eddy to politicians like Ronald Reagan, from 19th Century snake oil salesman to medicine show entertainers to modern TV preacher/hucksters like Jim and Tammy Faye Baker. Dr. Meyer counseled a wry skepticism towards such gospels of wealth and materialism disguised as Christian values and made an alternative case for the Power of Critical Thinking to combat its promise of a one-dimensional view of individual success with counter-cultural values like community, spiritual fulfillment and the good life.
ARTIST: RUN BOY RUN
TITLE: SO SANG THE WHIPPOORWILL
DATE: MARCH 19, 2013
Run Boy Run is an exciting young band from Tucson, Arizona, who last year released its first full length CD So Sang the Whippoorwill. The album name is inspired by the Mexican Whippoorwill, a nocturnal "nightjar" bird found in Tucson and the southwestern US.
Run Boy Run was formed in 2009 and won the band contest at Pickin’ in the Pines a few weeks later. In 2012, they played on stage at the Telluride Bluegrass Festival as band contest winners in 2012. Since then, they have been featured twice on Garrison Keillor’s A Prairie Home Companion who said about them: “Hot instruments and beautiful, sweet harmony singing. That's all you need in the world today.”
The core of the band is two pairs of siblings. Brother and sister, Matt (fiddle, guitar) and Grace Rolland (cello, vocals), were raised with bow and rosin on every bedside table. Sisters, Bekah (fiddle, vocals, guitar) and Jen Sandoval (mandolin, vocals), grew up at Bluegrass festivals of Arizona. Jesse Allen (bass) was brought up on opera and western swing and grew to love the natural fusion inherent in American music. All members of the band are songwriters and penned at least one of the original songs on the album.
Tuesday, March 11, 2014
THE HEART OF AN IRISH WOMAN
Wednesday, March 12, 2014
Thursday, March 13, 2014
Friday, March 14, 2014
THE DUSTBOWL REVIVAL
Saturday, March 15, 2014
OLD TOWN TEMECULA BLUEGRASS FESTIVAL
BERNIE PEARL WITH MIKE BARRY & ALEX TREPAGNIER
Sunday, March 16, 2014
OLD TOWN TEMECULA BLUEGRASS FESTIVAL
SOCIAL MEDIA WORKSHOP: JEANETTE LUNDGREN
DAVID BROMBERG SOLD OUT
Friday, March 21, 2014
I SEE HAWKS in L. A.