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COLUMN OF THE WEEK

May-June 2012

Reflections on the Age of Download

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I was browsing through the results of the Grammy awards when I came across a category that I hadn’t noticed before—“Best Album Notes.” Nice to see they’re still giving an award for that in this, the Age of the Download. Part of the pleasure of getting a new (vinyl) album used to be reading the notes while you listened to the first few tracks, and then having a look at the fine print to see who the backup musicians might be, or who wrote the songs.

 
 

CD REVIEWS

TITLE: MY DUSTY ROAD

ARTIST: WOODY GUTHRIE

LABEL: ROUNDER RECORDS

RELEASE DATE: 2009

By

This essay is affectionately dedicated to Earl and Linda Thompson of Claremont, who gave me this beautiful boxed set, thinking it might grab my attention. Thank you!

My_Dusty_RoadIn 2009, three years before the Woody Guthrie Centennial, Rounder Records released what Nora Guthrie describes as the definitive collection of Woody Guthrie songs in one collection; a handsomely mounted box set with an authoritative book length introduction to the artist and the tracks—one for nearly every year of his foreshortened life due to Huntington’s Disease. He lived to be 55, but for all intents and purposes his creative life lasted roughly 10 years, from the age of 27, when he was first recorded by Alan Lomax for the Library of Congress, to 38, when he was first admitted to Brooklyn State Hospital for the genetic illness that killed his mother.

In those eleven years he wrote—at first estimated as 1000 songs—now more likely to have been three thousand. Many of them were only preserved as lyrics, which his daughter Nora has been putting in the hands of modern folk singers and rock bands to add music and bring to life as songs. If you multiply ten years by the number of days in a year, it roughly translates to Woody having averaged a song a day for his entire creative life—a number so astonishing as to beggar description and defy belief.

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TITLE: BARN DANCE

ARTIST: LITTLE BLACK TRAIN

LABEL: NATIVE HOME MUSIC

RELEASE DATE: April 2012

By

Barn_DanceThere is live music, and then there is alive music. Barn Dance, the second album by Little Black Train, is both. Recorded in the tradition of early bluegrass, around a pair of stereo microphones – Barn Dance is old-timey, foot-stompin’, non-stop fun taken to new heights by a trio of veteran musicians.

The trio consists of West Virginia native Stuart Mason, whose deep roots in traditional music are reflected in his authentic lead vocals, guitar, mandola and banjo; John Weed, whose old-time Irish fiddling style and harmony vocals carry the listener back through the centuries; and Kenny Blackwell, whose sometimes-bluesy, sometimes-jazzy, and always brilliant mandolin or guitar embroiders every melody, along with his harmony vocals.

Individually, each band member is an exceptionally accomplished musician with a long list of credentials (among which, Mason and Weed have toured extensively with Molly’s Revenge; Blackwell has collaborated with the progressive fiddler Richard Greene and the legendary Laurel Canyon Ramblers). But together, they achieve something that transcends their individual talents…an energy that will truly take you for an exciting, creative ride!

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VIDEO PICK OF THE WEEK

Alan Jabbour and Ken Perlman playing Billy in the Low Land and High Yellow
(http://www.youtube.com/v/3-BEvSa9Y3U)
 
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