• CONCERT REVIEW

    MICHAEL CHAPDELAINE’S GUITAR RIDES WITH HIM

    CONCERT AT THE PASADENA CONSERVATORY OF MUSIC TUESDAY, NOVEMBER 18, 2014

    By Ross Altman

    Michael ChapdelaineHow good was National Fingerstyle Guitar Champion Michael Chapdelaine’s performance of solo instrumentals last night at the Pasadena Conservatory of Music? It was jaw-dropping, head-scratching, finger-picking good—that’s how good it was. But that wasn’t the most amazing thing about it. The most amazing thing about it was that it happened at all.

    Read more: MICHAEL CHAPDELAINE’S GUITAR RIDES WITH HIM


    FEATURE ARTICLES

    A GREAT DAY IN UTAH

    NOVEMBER 19, 1915—NOVEMBER 19, 2014

    By Ross Altman

    Joe HillNinety-nine years ago today the great state of Utah executed labor’s troubadour Wobbly songwriter Joe Hill by firing squad. The author of such labor song classics as Rebel Girl, There Is Power in a Union, Pie In the Sky (The Preacher and the Slave) and Casey Jones, the Union Scab went to his death with his head held high. His last known words were addressed to fellow Wobbly Big Bill Haywood: “Don’t Mourn for me, Bill; Organize.”

    Read more: A Great Day in Utah


    THE MAGIC OF MILTON

    Milton Nascimento and the Música Popular Brasileina

    By Audrey Coleman

    Milton Nascimento with guitarI first encountered the magic of Milton Nascimento some 15 years ago. My jazz buff husband had just put on a CD he had bought of saxophonist Wayne Shorter. It opened with a full and strong yet child-like voice singing a cappella in the upper register. Suddenly the music had me riveted. I didn’t understand the Portuguese but I felt uplifted by both the melody and the quality of the sound. Several bars later, Shorter and his ensemble eased in, the saxophone melding perfectly with these opening vocals. I had not experienced such a strong reaction to a voice since my first time hearing a recording of Billie Holiday. The CD was a digital remaster of Native Dancer, first recorded in 1974 and prominently featuring not only the voice but the compositions of a musician already acclaimed in his native Brazil. The opening selection, Ponta de Areia, was by Milton Nascimento as were four other songs.

    On Friday evening, November 28, Milton Nascimento will perform at Royce Hall as part of a world tour celebrating his 50 years of music-making. Born in 1942, this artist deserves the attention of anyone attracted by Latin American or world music and this concert is an opportunity to hear his unique voice in an excellent acoustic space.

    Read more: THE MAGIC OF MILTON - Milton Nascimento


    COLUMN OF THE WEEK

    November-December 2014

    OLD-TIME TIKI PARLOUR FILMS AND WEBSITE LAUNCH!

    By David Bragger

    Rafe and Clelia Stefanini
    Rafe & Clelia Stefanini DVD filmed by David Bragger, artwork by Angelina Elise.

    I am thrilled to announce the dual launch of a film production company and website, both devoted to old-time music in Los Angeles and beyond: Old-Time Tiki Parlour Films and OldTimeTikiParlour.com.

    The OTTP is the music and living space of yours truly. As referenced in earlier columns, it’s where I teach old-time music, host workshops and house concerts with the greatest musicians in the genre, and film them as well. A year ago, I realized that so many of the great OT players are still under-documented. Sure, there may be shaky iPhone videos out there, but very few videos exist that are shot in high quality sound and visual. We missed the chance to get attractive archival footage of Fred Cockerham, Joseph Spence, Mississippi John Hurt and many others. So, I believe the world will be a better place if we can preserve the sights and sounds of the great active musicians around today, by shooting them in a controlled environment where they do what they do best: play old-time music.

    Read more OLD-TIME TIKI PARLOUR FILMS AND WEBSITE LAUNCH

    CD REVIEWS

    TITLE: LAUGHTER OUT OF TEARS

    ARTIST: MOIRA SMILEY & VOCO

    LABEL: WHIM RECORDS

    RELEASE DATE: SEPTEMBER 15, 2014

    By Jackie Morris

    Laughter Out of TearsHaunting, ethereal, and totally mesmerizing, Moira Smiley & VOCO bring an almost mystical quality to both original and traditional folk music. Drawing from a deep well of influence, their fourth album, Laughter Out of Tears, moves effortlessly from Appalachian roots to Balkan polyphony to Scandinavian folksongs; and then transcends tradition on five tracks by introducing the innovative “Choir of YOU,” a technology-empowered “chorus” of 200 voices from around the English-speaking world.

    The result is a kind of magic that is both subliminal and sublime, characterized by rich, complex harmonies, other-worldly polyphonic singing and sparse instrumentation. The 8 women who contributed to this VOCO release all sing (divinely, I should add) and play most of the instruments – a minimalist banjo and accordion (by Smiley), a tender cello (by April Guthrie), and plenty of body percussion. Single tracks are also punctuated by fiddle and uke, with guest artists on guitar, trumpet and percussion.

    Read more: LAUGHTER OUT OF TEARS - MOIRA SMILEY & VOCO


    TITLE: YOU GOT THIS

    ARTIST: HAAS KOWERT TICE

    LABEL: NONE

    RELEASE DATE: JULY 2014

    By Jonathan Shifflett

    Haas Kowert Tice - You Got ThisBrittany Haas, Paul Kowert and Jordan Tice are friends who, after meeting at various string band festivals in their youth, represent a new wave within the American string community. Bursting with their combined influences, You Got This is less like newgrass music and more reminiscent of works for a contemporary music ensemble. Released in July of 2014, the nine original compositions are densely packed with contrapuntal exchanges, changing meters and extended harmonies. The result: fiddle, guitar and bass at their most innovative. 

    Read more: HAAS KOWERT TICE - YOU GOT THIS


    BLOG

    Lily Henley new song premiers ... check out our review of last years great CD, Words Like Yours.


    Read more: THE FOLKWORKS BLOG


    NO MUSIC EVENTS TODAY, 11/24/14


    FULL ONGOING MUSIC click here

    TODAY'S ONGOING MUSIC 11/24/14


    7:00pm CELTIC ARTS CENTER IRISH CéILí DANCE

    The Mayflower Club

    11110 Victory Blvd., North Hollywood, CA 91606

    818-760-8322 • This email address is being protected from spambots. You need JavaScript enabled to view it.


    7:30pm BROMBIES BLUEGRASS

    Viva Cantina

    900 Riverside Dr., Burbank, CA 91506

    818-515-4444


    7:30pm KULAK'S WOODSHED OPEN MIC (SIGNUP AT 7:00PM)

    Kulak's Woodshed

    5230-1/2 Laurel Canyon Blvd, North Hollywood, CA 91607-4934

    818-766-9913


    8:00pm CELTIC ARTS CENTER IRISH MUSIC SESSION

    The Mayflower Club

    11110 Victory Blvd., North Hollywood, CA 91606

    818-760-8322 • This email address is being protected from spambots. You need JavaScript enabled to view it.


    BOOK REVIEW

    THE RHYMES THEY ARE A-CHANGIN’

    TITLE: THE LYRICS: SINCE 1962

    AUTHOR: BOB DYLAN

    EDITOR: CHRISTOPHER RICKS, LISA NEMROW, JULIE NEMROW

    PUBLISHER: SIMON AND SCHUSTER

    RELEASE DATE: OCTOBER 28, 2014 (NYC)

    By Ross Altman, PhD

    They LyricsThe most complete collection of Bob Dylan’s lyrics we are likely to see in our lifetime has just been published, and the most notable thing about it is the juxtaposition of Dylan’s lyrical changes in many songs from their original recorded versions to the printed versions to the various live recorded versions, yielding in some cases three rather different texts. Each section is framed by a full-size replica of the original album cover, in full color front and back. The dimensions of the LP determined the size of the book.

    As my rabbi pointed out after seeing Dylan’s third concert at the Dolby Theatre (I reviewed the first in these pages) Bob seemed to have altered the lyrics my rabbi knew in both Tangled Up in Blue and Simple Twist of Fate. What gives? He wondered; we are accustomed to hearing different tempos, arrangements, instrumentation, even melodies for many of Dylan’s classic songs in live performance; now must we also get used to different lyrics? At what point do we find it difficult to think we heard the same song?

    So I decided to order the $200, 961 page, 13 pound book and find out for myself. It just arrived from Barnes & Noble in NYC and what can I say? Rabbi, Things Have Changed.

    Read more: THE RHYMES THEY ARE A-CHANGIN’


FOLKWORKS CONCERT

AN EVENING WITH BOB  & DAN

Saturday, MAY 11, 2012

Santa Monica History Museum

1350  7th Street, Santa Monica, CA 90401

Box Office 7:00pm Concert 8:00pm

bob and dan w copyright sm

FolkWorks is pleased to announce the next concert in our series at the Santa Monica History Museum.

The concert on Saturday, May 11 features Bob Carlin on Banjo and Dan Levenson on Fiddle.

A concert of old time music by two long time old time friends. Bob Carlin and Dan Levenson have spent their lives traveling the backroads of America playing and presenting our unique musical traditions. Take a journey with these two old time music masters through their experiences of the last forty years. hear fiddle, banjo, guitar and voice utilized in various combinations to tell their story of learning our nation’s great musical traditions from its past masters.

The Santa Monica History Museum is the perfect venue for this intimate, acoustic concert. The museum is a nonprofit community cultural center, dedicated to preserving and sharing regional history. It will be open to concertgoers at 7:00pm for viewing museum galleries prior to the concert.

FolkWorks is a nonprofit dedicated to preserving and promoting the folk/traditional arts. They have published an e-zine and presented concerts since 2001.The next concert at the Museum will be on September 7.

Concert: $15   FolkWorks members ($65 level and above) $13

Tickets will be at will-call

Online (credit card) tickets

Buy tickets here for Bob Carlin and Dan Levenson

or

Mail check (include telephone # and e-mail address) to:

FolkWorks

PO Box 55051

Sherman Oaks, CA 91413

For more info: (818) 785-3839 This email address is being protected from spambots. You need JavaScript enabled to view it.