(July 3, 1893, or March 8, 1892 – November 2, 1966)

John Smith Hurt, better known as MISSISSIPPI JOHN HURT (July 3, 1893, or March 8, 1892 – November 2, 1966) was an American country blues singer and guitarist. Raised in Avalon, Mississippi, Hurt taught himself how to play the guitar around age nine. He worked as a sharecropper and began playing at dances and parties, singing to a melodious fingerpicked accompaniment.

His first recordings, made for Okeh Records in 1928, were commercial failures, and he continued to work as a farmer. Tom Hoskins, a blues enthusiast, located Hurt in 1963 and persuaded him to move to Washington, D.C., where he was recorded by the Library of Congress in 1964. This helped further the American folk music revival, which had led to the rediscovery of many other bluesmen of Hurt's era.

Hurt performed on the university and coffeehouse concert circuit with other Delta blues musicians brought out of retirement. He also recorded several albums for Vanguard Records.

Hurt died in Grenada, Mississippi. Material recorded by him has been re-released by many record labels, and his songs have been recorded by Bob Dylan, Dave Van Ronk, Jerry Garcia, Beck, Doc Watson, John McCutcheon, Taj Mahal, Bruce Cockburn, David Johansen, Bill Morrissey, Gillian Welch,Josh Ritter, Guthrie Thomas, Parsonsfield, and Rory Block.


(June 30, 1936 – February 10, 2002)

David Kenneth Ritz "Dave" Van Ronk (June 30, 1936 – February 10, 2002) was an American folk singer. An important figure in the American folk music revival and New York City's Greenwich Village scene in the 1960s, he was nicknamed the "Mayor of MacDougal Street".

Van Ronk's work ranged from old English ballads to blues, gospel, rock, New Orleans jazz, and swing. He was also known for performing instrumentalragtime guitar music, especially his transcription of "St. Louis Tickle" and Scott Joplin's "Maple Leaf Rag". Van Ronk was a widely admired avuncular figure in "the Village", presiding over the coffeehouse folk culture and acting as a friend to many up-and-coming artists by inspiring, assisting, and promoting them. Folk performers whom he befriended include Bob Dylan, Tom Paxton, Patrick Sky, Phil Ochs, Ramblin' Jack Elliott, and Joni Mitchell. Bob Dylan recorded Van Ronk's arrangement of the traditional song "House of the Rising Sun" on his first album, which The Animals turned into a chart-topping rock single in 1964, helping inaugurate the folk-rock movement.

Van Ronk received a Lifetime Achievement Award from the American Society of Composers, Authors and Publishers (ASCAP) in December 1997. He died in a New York hospital of cardiopulmonary failure while undergoing postoperative treatment for colon cancer.


(June 19, 1914 – May 11, 1979)

LESTER RAYMOND FLATT (June 19, 1914 – May 11, 1979) was a bluegrass guitarist and mandolinist, best known for his collaboration with banjo picker Earl Scruggs in The Foggy Mountain Boys (popularly known as "Flatt and Scruggs").

Flatt's career spanned multiple decades, breaking out as a member of Bill Monroe's band during the 1940s and including multiple solo and collaboration works exclusive of Scruggs. He first reached a mainstream audience through his performance on "The Ballad of Jed Clampett", the theme for the network television hit The Beverly Hillbillies, in the early 1960s.

Flatt was born in Duncan's Chapel, Overton County, Tennessee, to Nannie Mae Haney and Isaac Columbus Flatt. A singer and guitarist, he first came to prominence as a member of Bill Monroe's Blue Grass Boys in 1945. In 1948 he started a band with fellow Monroe alumnus Earl Scruggs, and for the next twenty years Flatt and Scruggs and the Foggy Mountain Boys were one of the most successful bands in bluegrass. When they parted ways in 1969, Flatt formed a new group, the Nashville Grass, hiring most of the Foggy Mountain Boys. His role as lead singer and rhythm guitar player in each of these seminal ensembles helped define the sound of traditional bluegrass music. He created a role in the Bluegrass Boys later filled by the likes of Jimmy Martin, Mac Wiseman, Peter Rowan and Del McCoury.

His rich lead voice is unmistakable in hundreds of bluegrass standards.

He is also remembered for his library of compositions. The Flatt songbook looms titanic for any student of American acoustic music. He continued to record and perform with that group until his death in 1979 of heart failure, after a prolonged period of ill health. Flatt was posthumously inducted into the Country Music Hall of Fame in 1985 with Scruggs. He was posthumously made an inaugural inductee into the International Bluegrass Music Hall of Honor in 1991. His hometown of Sparta, Tennessee, held a bluegrass festival in his honor for a number of years, before being discontinued a few years prior to the death of the traditional host, resident Everette Paul England; Lester Flatt Memorial Bluegrass Day is part of the annual Liberty Square Celebration held in Sparta. Flatt and Scruggs were ranked No. 24 on CMT's 40 Greatest Men of Country Music in 2003. They performed "The Ballad of Jed Clampett", which was used as the theme for the television show The Beverly Hillbillies. [Wikipedia]


(June 27, 1913 – May 13, 1981)

NATHAN ABSHIRE (June 27, 1913 – May 13, 1981) was an American Cajun accordion player who, along with Iry LeJeune, was responsible for the renaissance of the accordion in Cajun music in the 1940s.

Learning the accordion at age six, he was influenced by his father, mother, and uncle all playing the accordion. Abshire first performed on the accordion in public at age eight. He continued playing at dance halls and parties through his teenage years. In the 1930s, he performed with and learned from fiddler Lionel Leleux and accordionist Amédé Ardoin. In 1935, he recorded six songs with the Rayne-Bo Ramblers, a group led by guitarist and singer Leroy "Happy Fats" Leblanc.

Abshire served in the U.S. military during World War II. After the war, he settled in Basile, Louisiana, where he played regularly at the Avalon Club. He released his best-known record, "Pine Grove Blues", in 1949, a song based on Amede Breaux's "Le Blues de Petit Chien", as well as several recordings on Swallow Records and Arhoolie Records in the 1960s. He appeared with Dewey Balfa and The Balfa Brothers at the Newport Folk Festival in 1967. Along with Balfa, Abshire devoted much of his time in the 1960s and 70s to promoting Cajun music through appearances at festivals, colleges, and schools throughout the United States.

Abshire was featured in Les Blank's 1971 documentary Spend It All and the 1975 PBS documentary, The Good Times Are Killing Me.He was also included in the documentary film, Les Blues de Balfa, along with Balfa.

He died in Basile, Louisiana in 1981 after living most his life there as the overseer of the town dump.


(June 22, 1945)

JACKIE DALY (June 22, 1945) is an Irish button accordion and concertina player. He has been a member of a number of prominent Irish traditional-music bands, including De Dannan, Patrick Street, Arcady, and Buttons & Bows.

Born and raised in the area known as Sliabh Luachra, Jackie Daly is one of the foremost living exponents of the distinctive music of that region.B Among his early musical influences were his father, a melodeon (one-row accordion) player, and local fiddler Jim Keeffe, under whose tutelage he began playing at "crossroads dances".

After working in the Dutch merchant navy for several years, Daly decided to become a professional musician on returning to Ireland in the early 1970s. In 1974 he won the All-Ireland Accordion Competition in Listowel, County Kerry. To qualify, he was obliged to play a B/C instrument, at the time the only system sanctioned by the competition organizers, but immediately afterwards returned to his chosen C#/D system. In 1977, his first solo recording was released by Topic

Records of London as volume 6 of their Music from Sliabh Luachra series. Jackie Daly's musical career is notable for partnerships with several fiddlers, beginning with Séamus Creagh. Their 1977 album, Jackie Daly agus Séamus Creagh, brought Sliabh Luachra music to a wider audience and, with its tight unison playing, set the standard for future accordion and fiddle recordings.

Another influential partnership has been with Kevin Burke, on whose 1978 recording If the Cap Fits he made a guest appearance, and with whom he made another highly regarded fiddle-accordion duet album, Eavesdropper (1981).

Jackie Daly was the first of a series of accordionists with De Dannan, appearing on four of their albums between 1980 and 1985. It was his work with this band that is thought by many to have paved the way for the accordion to become a concert-stage, rather than principally a dance-band, instrument in Irish music.

In 1986 Daly joined Patrick Street, a band that Burke was forming with Andy Irvine and Arty McGlynn, and with whom Daly played until 2007. In the intervening years Daly recorded three albums with fiddlers Séamus and Manus McGuire, as Buttons & Bows. He also collaborated with fiddler Máire O'Keeffe, notably on the album Re-Joyce: Tunes and Songs from the Joyce Collection (2003).

In 2005 Jackie Daly was named Ceoltóir na Bliana (Musician of the Year) in the Gradam Ceoil awards of the Irish-language television station TG4.

In 2009 Topic Records included in their 70-year anniversary boxed set Three Score and Ten The Rising Sun/The Pope's Toe from Jackie Daly - Music from Sliabh Luachra Vol. 6 as track one of the third CD.

In 2010, Daly and fiddler Matt Cranitch released The Living Stream, a recording of chiefly Sliabh Luachra music, followed by Rolling On in 2014.


(June 21, 1938)

EDDIE ADCOCK (born June 21, 1938 in Scottsville, Virginia) is an American banjoist and one of the true innovators in the five-string banjo pantheon.

His professional career as a 5-string banjoist began in 1953 when he joined Smokey Graves & His Blue Star Boys, who had a regular show at a radio station in Crewe, Virginia. Between 1953-57, he floated between different bands. Bill Monroe offered a job to Adcock in 1957, and he played with the Blue Grass Boys until Monroe had to let him go because the band simply wasn't earning enough money to employ him. Adcock returned to working day jobs, but that was short-lived. After he started working in a sheet metal factory, Jim Cox, John Duffey, and Charlie Waller asked him to join their new band, The Country Gentlemen. Adcock performs almost exclusively with his wife Martha and calls Lebanon, Tennessee his home. Eddie belongs to a number of business organizations, including IBMA and the Folk Alliance. He has served on the Board of Directors of the Tennessee Banjo Institute.

He and Martha also created and ran (off and on) Adcock Audio, a large, state-of-the-art sound company until 2006. [Wikipedia]


From David: I like to stay upbeat on here, but I have to say I'm thankful to be alive--yesterday at this time, Rebecca Lomnicky and myself were crashed into head-on at high speed quite seriously by a drunk driver (whom was arrested)... My car (The Subaru, not the mighty green Geo) was completely totaled--we were both wearing seat belts and the airbags deployed and saved us, so the brave Subaru did its job...we were not completely unscathed however; quite scraped, burned, and twisted, but thankfully nothing seems broken or punctured. We are quite shaken up about it & so glad it wasn't worse-- we are just laying low and recovering today, but please do send good vibes--thanks! Thanks to Pete & Lynda Haworth for taking care of us in the aftermath.. Hope y'all are well... I'll be in touch soon




(May 24, 1941)

Topanga Banjo Fiddle Header



1. The Blue Grass Hoppers, Los Angeles

2. New Roads, Reseda

3. Fiddlers of Troy, Santa Monica

4. Honorable Mention: Acoustic Shadow Band, Los Angeles

Traditional Banjo - Advanced

1. Scott Linford, Los Angeles

2. Andy Roberts, Mariposa

3. Josh Gurney, Los Angeles

4. Honorable Mention: Ken Leiboff, San Jose

Traditional Banjo - Intermediate

1. Miles Young, Oakland

2. Milena Reed, Culver City

3. Doug Newman, Santa Monica

Traditional Banjo - Beginning

1. Rosy Nolan, Los Angeles

2. Ashley Atkinson, Los Angeles

3. Patrick Thuss, La Canada

Bluegrass Banjo - Advanced

1. Casey James Holmberg, Los Angeles

2. Mason Unthank, Santa Clarita

3. Dennis Nowack, San Diego

4. Honorable Mention: Gary Laskowski, Simi Valley

Bluegrass Banjo - Intermediate

1. Richard Dodge, Huntington Beach

2. Aaron Wardell, Marlow, NH

3. Heidi Lindblom , Huntington Beach

Bluegrass Banjo - Beginning

1. Tyler Goldstein, Torrance

2. Jackie Preciado, Los Angeles

3. Piper Keesee, Toluca Lake

Fiddle - Advanced

1. Nathaniel Copeland, Julian, CA

2. Jesse Olema, Sherman Oaks

3. Grant Wheeler, Los Angeles

4. Honorable Mention: Anya Sturm, Santa Monica

Fiddle - Intermediate

1. Stephanie Nagler, Los Angeles

2. Ellie Kroskrity, Venice

3. Georgia Pike, San Pedro

Fiddle - Beginning

1. Sophie Yera, Santa Monica

2. Henry Sullivan, Santa Monica

3. Charlotte Bradley-McKinnon, Pasadena

Mandolin - Advanced

1. Kirby Cool, Oakland

2. Roland Sturm, Santa Monica

Mandolin - Intermediate

1. Anya Sturm, Santa Monica

2. Mary Zangerle, Moorpark

3. Doug Newman, Santa Monica

Mandolin - Beginning

1. Emily Unthank, Santa Clarita

2. Claire Masters, Valencia

Flat-Picking Guitar - Advanced

1. Jonah Warschaw, Woodland Hills

2. Cory McClintic, Los Altos

3. Bob Schetter, Tehachapi

Flat-Picking Guitar - Intermediate

1. Mark Humphrey, Santa Monica

2. Ryan McLaughlin, Alaska

3. John Drake, Fountain Valley

Flat-Picking Guitar - Beginning

1. Matthew St. Claire, Bakersfield

2. Piper Keesee, Toluca Lake

3. Rachael Koscelnick, Bell Canyon

Finger-Style Guitar

1. Pete Steinberg, Los Angeles

2. Jonah Warschaw, Woodland Hills

3. Douglas Newman, Santa Monica

4. Honorable Mention: Jill Fenimore, Los Angeles

Other Instruments

1. Ken Leiboff, San Jose [Harmonica]

2. Chris Teuber, Venice [Harmonica]

3. Terry Okey, Los Angeles [Slide Dobro Guitar]

4. Honorable Mention: Pedro Arevalo, Malibu [Dobro]


1. Leeann Skoda, Los Angeles

2. The Gazelles and Friends, Los Angeles

3. Skylar Keesee, Toluca Lake

4. Honorable Mention: Machine Gun Housewives, Santa Monica

Best Backup Instrument

1. Simon Petty, unknown [Guitar]

2. Larry Schallert, Canyon Country [Guitar]

3. Ken Leiboff, San Jose [Guitar]

Flatfoot Dancing - Youth (12 & under)

1. Harmony Svetska, Oxnard

2. Eden Perryman, Ventura

3. Rae Low, Los Angeles

Flatfoot Dancing - Young Adult (13 - 30)

1. Afton Coombs, Los Angeles

2. Olivia Warren, Moorpark

3. Danielle Hernandez, Simi Valley

Flatfoot Dancing - Adult (31 - 65)

1. Aedan MacDonnell, Sierra Madre

2. Evelyn Eisele, Santa Rosa Valley

3. Craig Schoenbaum, Culver City

Flatfoot Dancing - Senior (66 & up)

1. Hap Palmer, Woodland Hills

2. Pat Arnold, Torrance

Oldest Musician

Stan Shapin (1937), Orange - Advanced Traditional Banjo

Youngest Musician

Rae Low (2009), Los Angeles - Flatfoot Dancing (Youth)