FolkWorks Top Ten 2013
FolkScene’s Ten Best 2013
It Was a Very Good Year:
Mother Hen’s Best of 2013
2013 Grammy Nominees and Winners (noted in RED)
Of Interest To FolkWorks Readers
43. BEST REGIONAL MEXICAN MUSIC ALBUM (INCLUDING TEJANO)
44. BEST TROPICAL LATIN ALBUM
45. BEST AMERICAN ROOTS SONG
46. BEST AMERICANA ALBUM
47. BEST BLUEGRASS ALBUM
48. BEST BLUES ALBUM
49. BEST FOLK ALBUM
50. BEST REGIONAL ROOTS MUSIC ALBUM
52. BEST WORLD MUSIC ALBUM
2012 FOLK RELATED GRAMMY WINNERS
(see Read more ... winners marked in RED)
Tom Cheyney’s Top Ten
(in no particular order)
Lovely soft intensity and groove from Garifuna music’s torchbearer honors the passing of Andy Palacio, with guest turns from new mentor and presidential candidate (in Senegal), Youssou N’Dour.
Bygone icon seeks reinvention. Paulie’s best since Graceland ponders life, death, love with tastily organic sonic palette.
The gloriously gloomy Ms. Tabor joins up with the Oysters for more neo-Anglo folk-frak: Highlights include Joy Division’s “Love Will Tear Us Apart” transformed into English country standard.
Double-album raises money for a noble cause and gives refreshing pause with slew of interpretive Brazilianisms from homies and foreigners alike.
5. Yemen Blues at the Troubadour, March 6
ROZ LARMAN’S TOP TEN
4. John McCutcheon This Land - Woody Guthrie's America
That is it folks. Happy New Year
Linda Dewar’s Top Ten
* CD: Daniel Thorpe – The Curiosity Shop
* Artist: Innes Watson – guitarist, fiddler, singer, composer/arranger.He’s innovative and interesting, and was just named Instrumentalist of the Year at the Scottish Traditional Music Awards.
* Event: Perthshire Amber Festival – organized by Dougie Maclean. This festival gets better every year. If you plan a visit to Scotland, try to come in the fall and take in the concerts, workshops, hill walks, and sessions.
* Concert: Greentrax 25th Anniversary Concert – 25 years of the definitive Celtic music record label, celebrated by some of the best folk and traditional recording artists in Scotland.
* CD: Syncopaths – Five Gears
* Live gig: Nick Keir – live at the Edinburgh Festival Fringe. A tiny wee venue with a tiny wee stage and Nick at his best. I miss the McCalmans, but the solo stuff that he’s writing is brilliant, and I can hardly wait to hear his new solo CD.
* CD: Ciaran Dorris – Home
* CD: Manran – Manran Album of the year at the Scottish Traditional Music Awards
Acoustic NAMM, Winter 2011
Third in a series of annual reports exclusive to Folkworks
Two Old Hippies again exhibited at The Winter NAMM Show, 2011
(photo by Susan Rosenberg)
As I toured the vast acres of musical product exhibits and entertainment at the 2011 Winter NAMM Show along with 90,114 other registered attendees at the Anaheim Convention Center, in Southern California, on January 13th through the 16th, 2011, it was easy to "Believe in Music," and to think that music just might be the answer to the problems of the world after all, or at least be an essential tool in solving them.
NAMM stands for “National Association of Music Merchants,” but despite NAMM's continued use of the acronym, the organization is now named "International Music Products Association," to more accurately reflect its worldwide scope, and to complement its motto, "Believe in Music."
Linda Dewar’s Top Ten
1. Live gig: Crooked Still at Perthshire Amber festival
2. Live gig: Julie Fowlis at Perthshire Amber festival
3. CD: Duncan Chisholm, Canaich
4. Artists/CD/Live gigs: The McCalmans. /p>
5. Venue: Glenfarg Folk Club.
6. CD: The Poozies, Yellow Like Sunshine
7. CD: Yo-yo Ma & Friends, Songs of Joy & Peace.
8. Tune Book: Blair Douglas, Manran (A Music Collection).
9. CD: Carolina Chocolate Drops: Genuine Negro Jig
10. Artist: Anna Massie.
Joel Okida's Ten + Bests of 2010
1. Laura Marling- I Speak Because I Can: Fearless!
2. Leslie Stevens and the Badgers- Roomful of Smoke: Fertile!
3. Anaïs Mitchell- Hadestown: Fiery!
4. David Greely- Sud du Sud (2008-09): French!
5. Bassekou Kouyatè- I Speak Fula: Ferocious!
6. Mike and Ruthy- Million to One: Felicitous!
7. The Secret Sisters- The Secret Sisters: Fresh-squeezed!
8. Crooked Still- Some Strange Country: Far out!
9. Carolina Chocolate Drops- Genuine Negro Jig: Fiddle-icious!
10. Sausage Grinder- Delicious Moments: Fermented!
Dave Soyars' Ten for ‘10
1. Carolina Chocolate Drops – Genuine Negro Jig [Nonesuch]
2. Judy Collins – In My Life [Collector’s Choice]
3. Isobel Campbell and Mark Lanegan – Hawk [Rounder]
4. Peter Rowan Bluegrass Band – Legacy [Compass]
5. Mavis Staples – You Are Not Alone [Anti]
6. Solas – The Turning Tide [Compass]
7. Bellowhead – Hedonism [Navigator Records – UK]
8. Original Soundtrack - Crazy Heart [New West]
9. and 10. Johnny Flynn – Been Listening [Thirty Tigers] / Laura Marling – I Speak Because I Can [Virgin]
1. CD: Pete Seeger: Tomorrow’s Children, with the Rivertown Kids Chorus on Appleseed Recordings
2. CD: Uncle Ruthie: The Jacaranda Tree double CD
3. MOVIE: Phil Ochs: There But For Fortune
4. Live concert: Bob Dylan's Small Town Tour concert
5. Live concert: Patti Smith's State of the Union
6. Live concert: Guy Carawan's Tribute and Benefit for Highlander Center For Education and Research
7. Live concert: Roy Bookbinder's spellbinding concert at McCabe’s
8. Live concert: Buffy Sainte-Marie's concert at the Bootleg Theatre
9. Live concert: Arlo Guthrie and Family Ride Again at UCLA’s Royce Hall
10. Live concert: Joan Baez and Roger McGuinn’s concert at The Queen Mary in Long Beach
2010 Year in Review
2010 was a year of great festivals and concerts and many great CD releases.
Check out the TOP TEN (plus) for 2010 by FolkWorks writers and friends:
Also check out this years folk related Grammy nominees
2010 GRAMMY WINNERS
of interest to FolkWorks readers
WINNERS MARKED IN BOLD RED
Top Ten 2009
1. Mumford and Sons - Sigh No More (Universal International)
I tried so hard to find something better than this, but eventually I had to resign myself to seeing this ragtag group of young folkie West Londoners at the top. I saw them earlier this year at the Hotel Café, opening for the holder of my #1 spot for 2008, Johnny Flynn. They were better than Flynn, in fact- more seasoned performers and more comfortable on a stage. People on other continents have told me they're sick to death of the single, Little Lion Man, which they've heard to distraction. There's a good reason for that, mind you- romantic regret, aggressive banjo and a few F-bombs are a perfect, if sideways, recipe for pop success- but I really didn't want what could end up being a novelty one-hit wonder at the top of my list. So I listened to the entire record, figured I'd find a good reason to sink them to a lower spot, or leave them off entirely. I found instead a diverse collection of songs, heavy on the youthful angst but wise enough to know where a bit of traditional riff or rhythm or Pogues-ish intensity might help to serve it. In the end it may not be a great record (we'll see what happens next), but I can't think of a better one. So number one it is.
2. Mick Moloney- If It Wasn't for the Irish and the Jews (Compass)
The sequel to 2006's wonderful McNally's Row of Flats, this likewise celebrates the growing influence of musical theater in a part of Manhattan that would later become Tin Pan Alley. This time Moloney examines the collaboration between two immigrant groups that helped define New York music in the late 18th and early 19th century. Moloney is an academic, but the musical performances are anything but-joyful and spirited, featuring spirited backing from New York old-timers Vince Giordano and the Nighthawks and the best of a crop of Irish musicians currently residing in the US, including master guitarist John Doyle.
3. Justin Adams and Juldeh Camara - Tell No Lies (Real World)
I'm as wary of these worldbeat/crossover deals as the next guy, but this one's refreshingly free of preciousness about it. Adams has played with Robert Plant and Jah Wobble, among others, and Camara, a virtuoso of the Gambian riti (one-stringed violin) is also an excellent singer and songwriter and not adverse to a bit of cross-cultural jamming. It's the kind of thing Adams does very well, and sits somewhere between Bo Diddley, surf music and the West African tradition without announcing itself in gigantic capital letters like much of this stuff does. And, while it's intense and moving, it's also a great deal of fun.
4. Martin Simpson - True Stories (Topic, dist. by Compass)
Simpson's always been a hell of a guitar player, and has been recording for decades, so it's a bit of a surprise that he's waited so long to make his best record, but he's put it all together nicely for this one. Perhaps it's because Simpson, a sensitive collaborator on other people's records, has concentrated on letting others support the stories he wants to tell. Said stories range from familiar traditional ones, like Sir Patrick Spens to some sensitive originals, some vocal and some instrumental, with accompaniment ranging from none to mini folk orchestra. It all feels like what he was born to do, particularly Will Atkinson, a touching autobiographical song about his childhood introduction to music via the harmonica player of the title.
5. Leonard Cohen - Live in London (Sony)
This is one case where you can call it a comeback. It matters little to me that this live set from halfway around the world is more or less identical to the one I saw months later. Same corny jokes, same band, even, with one or two exceptions, the same songs in the same order. And his voice, never typically "pretty" to begin with, has lost a few notes of range. And yet what other 70+ year old performers are putting on energetic, passionate three hour shows of great song after great song from a catalog unequalled in modern music (and yes, that includes the guy in the number ten slot)? If this is his last tour ever (and it's still going, last I heard), he's going out like a warrior. Words like "triumphant" and "heroic," cliché though they be, are fully appropriate.
6. Buddy and Julie Miller - Written in Chalk (New West Records)
Buddy's another guy that's been around for a while- mainly as a Nashville session guitar whiz- but his appearance on last year's Grammy-winning record by Robert Plant and Alison Krauss gave him the biggest audience he's ever had. He and wife Julie have certainly done the most with the opportunity. I wish Buddy were a great songwriter instead of merely a good one, but that said the sexual tension between Julie's alluring voice and Buddy's world-weary one is undeniable.
7. Tony McManus - The Maker's Mark (Compass)
A record that does something that's never been done before to my knowledge, a collaboration between a guitarist and guitar makers- stunning Scottish guitarist McManus, in a collaboration with Dream Guitars of Ashville, NC plays a series of traditional tunes on guitars made by different guitar makers. A novel idea without being a novelty recording, not just because McManus is a stunning guitar player, but because he's a genius at matching tune to guitar, bringing out the unique qualities in both guitar and song in every case. It's every guitar player's fantasy too, so cheers to him for being the first to make it happen. Hopefully it'll inspire others.
8. Peter Holsapple and Chris Stamey - Here and Now (Bar None)
1991's Mavericks was the last time these long-time collaborators (originally in influential power-poppers the DBs) worked together. No, it's not as good as that classic record (few things in life are), but it's similar, albeit a bit more electric and rocking, despite the presence of the lovely acoustic instruments on the cover (which do appear, albeit in a cameo role). Just like the 1960s and 70s recordings of the Everly Brothers, probably their biggest influence, it's rich in great songwriting, harmony, and spirit.
9. Liz Carroll and John Doyle - Double Play (Compass)
No accident that the Compass label appears here several times, either as label or distributor, having basically saved Irish music in the US, between taking over the venerable catalog of Green Linnet, and distributing the best Irish labels to Celtophilic Americans. As usual you can hardly go wrong with any of their traditional Celtic releases, but Liz (born in Chicago) and John (born in Dublin but currently residing in North Carolina) have the year's best, featuring another generous helping of Carroll's original tunes, which have already started to make their way, as they usually do, into Irish pub sessions worldwide, and Doyle's usual stunning guitar playing, which often sounds like it must be two (or even three) guitarists playing at once.
10. Bob Dylan - Together Through Life (Columbia)
No, it's not as sharp as most of his last several, and yes, that Christmas record is as every bit as bad as I thought it would be. But it's nice to hear Dylan, as the only slightly younger Neil Young is now doing, just chalking up his career as having pleased enough people that he can now dedicate the rest of it to doing as he pleases. Can't say he doesn't deserve it. It's a much more fun record than the last few as well, perhaps short on recognitions of mortality or celebrations of the American song catalog, but long on relaxed groove and smoky nightclub feel. And as a bonus David Hidalgo's all over it, so it's the closest we'll get to a Los Lobos record this year.
Top Ten 2009 (in no particular order)
1. CD: Harp I Do - Corrina Hewat (Big Bash Records (Big Bash Records BBRCD016)
Celtic harp with a jazz influence
2. CD: The Baltic tae Byzantium - Brian McNeill (Greentrax Recordings CDTRAX341)
Sequel to his brilliant Back o' the North Wind live show and CD
3. CD: Fishing Up The Moon - Nick Keir (Laverock Records LRK3)
Another solo album from the "middle guy" of the McCalmans, his best yet.
4. CD: This Earthly Spell - Karine Polwart (Hegri Music HEGRICD04)
Every track is great; Sorry is probably the best anti-war protest song since Eric Bogle's Waltzing Matilda
5. Live Gig: Eric Bogle's "Waltzing Matilda No More" farewell tour
The last tour he'll do outside Australia, and he was brilliant
6. Live Gig: Katy Moffatt at Glenfarg Folk Club
You know the gig will be good when every great musician in the county turns up to hear it.
7. Live Gig: Corinna Hewat, Annie Grace, and Karine Polwart
When these three perform as a trio, it's magic. They keep promising an album is in the works, so keep looking for it.
8. Online Radio: Celtic Music Radio
Great music, terrific volunteer DJ's, and they are great about giving airplay to new artists
9. Venue: Glenfarg Folk Club
Regular meeting space, in the downstairs pub at The Glenfarg Hotel.
10. Songwriter: Ian Walker
Some of the most brilliant lyrics I've ever heard.
Top Ten 2009
1.Justin Adams and Juldeh Camara, Tell No Lies (Real World)
More evidence that some of the best new "blues-rock" results when definitions are jettisoned, South and North joyfully embrace, and the Sahara stretches endlessly on a moonlit night.
2. Neko Case, Middle Cyclone (Anti-)
My wife gets a bit jealous of my fave female singers, and Neko gives her reason to be, with that gorgeous vocal honesty, deliciously tweaked Americana sound, and ear-turning lyrics.
3. Forro in the Dark at the Mint, Nov. 19
Just when I needed a jolt of live groove, these NYC-based Brazilian expats electrified with their fiery fusion of northeastern Braz, funk, rock, and fill in the blank.
4. Syran Mbenza and Ensemble Rumba Kongo, Immortal Franco
Africa's Unrivalled Guitar Legend (Riverboat): Living Congolese guitar legend Mbenza and an all-star cast honor their late mentor, Franco, one of the giants of African pop, with a lovely tribute album that steers clear of maudlin nostalgia.
5. Novalima at Grand Performances, July 25
Soulful, passionate Afro-Peruvianisms blended seamlessly with tasteful globotronics to knock the socks off one of the dance-craziest crowds ever at GP.
6. Quantic and his Combo Barbaro, Tradition in Transition (Tru Thoughts)
Columbiano tropical roots meet the modern age in this aptly titled album, with the arrangements ranging from stripped-down simplicity to string-section lush, and the African diasporic connection writ large.
7. Soul Power (Jeffrey Levy Hinte, director)
You may ask, "where's the folk?" here, but this documentary about the Zaire '74 fest in Kinshasa (part of the Ali-Foreman "Rumble in the Jungle" run-up) captures in engrossing verité style both the behind-the-scenes wheeling-dealing and onstage performance magic of an oft-overlooked yet groundbreaking mulitculti musical event.
8. Spiro, Lightbox (Real World)
The quartet's blazingly original instrumental take on English folk music swirls and builds into a hypnotic-melodic crossroads of trad tuneage, Philip Glass, and late-night raves.
9. Vieux Farka Toure at Troubadour, July 7
After invited guest Vusi Mahlasela seduced the audience midset, the son of Ali Farka and his band re-ratcheted up the rock-Malian trance-dance energy to the ecstasy point.
10. Vasen w/ Darol Anger and Mike Marshall at Skirball, July 23
A sublimely string-driven evening, with the three Swedes--a pair of Viking warriors and a "Where's Waldo" look-alike on nickelharpa-chopping up cords of Nordic lumber.
Top Ten 2009 (in no particular order)
and a wee bit more...
1. Works Progress Administration - WPA (Red Distribution)
With four lead singers and instrumental talent to spare, there is no Achilles heel that you can find here. Glen Phillips, Sean Watkins, and Luke Bulla teamed up with Sara Watkins, Benmont Tench, Greg Leisz, Pete Thomas, and Davey Faragher. They got together and played their assets off. No brag, just fact.
2. The Wailin' Jennys - Live at the Mauch Chunk Opera House (Red House)
All I can say is that these ladies can sing and play up a storm. Alone or in harmony, they get it done with finesse or gutsy vocal force. And as an add on, one Jenny, Heather Masse, also released an excellent solo CD, Bird Song (Red House), that adds even more variety than the already eclectic repertoire of the group effort.
3. Ramblin' Jack Elliot - A Stranger Here (Anti)
Perhaps his magnum opus with great song selection and his voice primed and self-assured. Producer Joe Henry got it right.
4. Rick Shea - Shelter Valley Blues (Tres Pescadores)
Long time southern California singer/songwriter/musician who has a resume of arresting songs and a habit of abetting almost every other singer or band of country or honky-tonk notoriety that rolls into town. This is a captivating piece of work and fits in nicely with the excellent recordings that he has generated over the years. Don't know if he is underrated or overlooked, but if he is, it's your fault, not his.
5. Todd Snider - The Excitement Plan (Yep Roc)
The barefoot poet returns offering more wit and insight in his inimitable way. Clever often cute, but clean and true.
6. Steve Earle - Townes (New West)
One would find the original singer-songwriter's versions hard to beat. This is also true in this tribute effort by the well known student of Townes Van Zandt. However, there's enough added Earle grit to the mix to make several tunes move in a mostly positive way and honor his mentor. Another related release, at least family-wise, and with the not-so-coincidental name of Justin Townes Earle attached to it, is Midnight at the Movies (Bloodshot Records). It demonstrates the strong bloodline of talent, but in a different light and adds a little sheen to the gifted middle name and the paternal link.
7. The Unwanted - Music from the Atlantic Fringe (Compass Records)
Sligo-based group bridges old time songs of Appalachia with similar tunes of the Irish. It works well due to some smart arrangements and even smarter musicianship in the form of Cathy Jordan and Seamie O'Dowd from the legendary Celtic band, Dervish, and Rick Epping, a multi-instrumentalist from far off California. Leadbelly's , Out on the Western Plain starts it off and it is a listener's joyride from then on.
8. The Unthanks - Here's the Tender Coming (EMI Import)
The follow-up to The Bairns with the name change from Rachel Unthanks and the Winterset, now simplified yet inclusive. Rachel and sister, Becky, lead their mates across British traditional folk and into some stunning renderings of popular songs, yet leave their trademark stamp of heartfelt harmonies and distinctive solos intact.
9. Marissa Nadler - Little Hells (Kemado Records)
The delicately spectral Ms. Nadler sings dirges that take you down the longest, darkest paths to the sea and like the siren calling out from the mist, you must follow. Somehow you're happy to be this sad, worried and apologetic shoegazer in her musical presence.
10. King Wilkie presents - the Wilkie Family Singers (Casa Nueva Industries)
The purist bluegrass that King Wilkie originally stamped their name on becomes a mere take off point for this ambitious concept album about a fictional musical family and their foibles. It then travels into sunny balladry, gritty Americana and near Beatlesque orchestration. Featured cast includes Peter Rowan, David Bromberg, Abigail Washburn, John McEuen , Sam Parton (The Be Good Tanyas), and Robyn Hitchcock.
Lagniappe. A few extra recordings that fit in there somewhere.
Chris Smither - Time Stands Still (Signature Sounds)
Chris Smither has never made a bad record just as his guitar/foot-tapping style does not ever fail him in live performance. His wordplay is well-crafted and no one gives the sad-eyed blues tale its vocal due like Chris. So there's not a lot to diss about this recording either. Here he breathes life into each lyric, real life poetry intact, and uses the voice that burnishes the blues, heats it up, but goes down smooth.
Eva Cassidy - Songbird (Blix Street Records), 1998
Rediscovery of a rediscovered performer who died at 33. She left a significant body of recorded work (seven CDs as of 2003) much of it released posthumously (including this compilation CD), but left a potent mark on the interpretation of some folk, jazz, and pop standards. Autumn Leaves might have been her loveletter to the future.
Maggie MacInnes - A Fagail Mhiaghalaigh [Leaving Mingulay] (Marram Music)
From the island of Barra in the Outer Hebrides of Scotland, this singer and Clàrsach player (Celtic harp) presents traditional songs of the island of Mingulay (also part of the Outer Hebrides). Sung in Gaelic and adorned with instrumental accompaniment by her dedicated guest musicians. The voice gets your full attention, natural yet compelling.
Monsters of Folk - Monsters of Folk (Shangri-la)
This is neither monstrous nor truly folk, but the players here might make a case for making some folk-like music with some colossal talent that doesn't offend or frighten anyone. The band is made up of Conor Oberst (Bright Eyes, Mystic Valley Band), M. Ward (She & Him), Jim James (My Morning Jacket), and the songs run the gamut from edgy-spiritual, country rock, folksie, to churning Americana. Should not scare off the adamantly acoustic.
Dent May - The Good Feeling Music of Dent May & His Magnificent Ukulele (Paw Tracks)
Punchy pop confection with catchy melodies, but with a vocal range that sails along through some well-written tales of collegiate encounters. Revives the uke beyond the camp and corduroy.
Eilen Jewell - Sea of Tears (Signature Sounds)
Great songwriting fits in with a confident voice from this Boston performer who is more a rootsy folk-slinger who can slide over to the blues both sultry or rollin' and tumblin'. These are songs that allow for a soulful musician's very versatile voice.
Johnny Flynn - A Larum (Lost Highway) 2008
Heard this a year late, but anticipate more from this young Brit folk revivalist. Flynn, with his band the Sussex Wit, recorded this stateside in Seattle. Energetic with folk sensibilities, playfully witty yet philosophical in scope.
Sarah Jarosz - Song Up in Her Head (Sugarhill)
17-year old who sounds only a quarter note away from full womanhood (whatever that is) and then plays banjo or guitar like an old time vet.
Catie Curtis - Hello Stranger (Compass Records)
Different from her earlier recordings as the production is stripped down and simplified, which is good in that it replicates the live shows and let's her straightforward delivery shine. Nashville string trippers, Stuart Duncan, Alison Brown, and George Marinelli give her a can't lose edge, as do Darrell Scott and Mary Gauthier on vocals.
Fairport Convention and Matthews Southern Comfort: Live in Maidstone, 1970. (Neptune Music) DVD 2008
Historic footage of two seminal and influential English folk ensembles. Unfortunately short in length (46 mins., but 15 are interview w/ the director), but little footage is available from this era so the Brit folk enthusiast must gather these tidbit treasures in when they surface.
Top 22 Live Folk Shows of 2009 (in chronological order)
1. Theresa Andersson - Hotel Café, 1/30
2. Chris & Thomas- Coffee Gallery Backstage, 3/19
3. Claire Lynch - Boulevard, 3/20
4. Beausoleil - McCabe's, 4/4
5. Chango Spasiuk - The Getty, 4/ 5 - Check out his 2009 release Pynandi-Los Descalzos (World Village)
6. Gator-by-the-Bay - Spanish Landing Park, San Diego, 5/9-10
7. Occidental Brothers Dance Band International, the Blasting Co. - The Echo, 6/23
8. Patty Griffin, Shawn Colvin, Emmy Lou Harris, Buddy Miller - Greek Theater, 6/24
9. Väsen - Skirball, 7/23
10. Baskery - Hotel Café, 8/16
11. Iris Dement - McCabe's, 9/25
12. Old Crow Medicine Show - John Anson Ford, 9/29
13. Works Progress Administration - Club Largo, 10/5
14. Todd Snider (interview, mini-concert) - Grammy Museum, 10/8
15. Steve Earle - The Troubadour, 10/9
16. Devil Makes 3- Amoeba Records, 10/13
17. Boulder Acoustic Society - Coffee Gallery Backstage 10/20
18. Tony Furtado - Center for Folk Music, 10/21
19. Marissa Nadler - The Echo 10/29
20. Richard Thompson and Loudon Wainwright III - Royce Hall, 11/13
21. Crooked Still, King Wilkie - McCabe's, 11/22
22. Po' Girl & Twilight Hotel- Center for Folk Music, 11/29
TOP TEN 2009
1. Mamak Khadem
CONCERT: Globalquerque 9/26
Her perfect CD "Jostojoo" (Forever Seeking)
2. Molly Revenge with Moira Smiley
CONCERT at CTMS Center for Folk Music 10/10
3. Väsen with Daryl Anger and
CONCERTS: Skirball Cultural Center 7/23, Globalquerque 9/25
4. Justin Adams & Juldeh Camara
CD: Tell No Lies
5. Liz Carroll & John Doyle
CD: Double Play
6. Omar Faruk Tekbilek Ensemble
CONCERT: Skirball Cultural Center 8/13
7. David Lindley
CONCERTS: McCabe's Guitar Shop 1/30, L.A. Acoustic Festival 6-6
8. Noel Hill
CONCERT: Neighborhood Church 8/19
MOVIE: Carlos Saura's 2007 masterpiece finally hits the L.A. Theatres
Top 10 2009 (Plus a couple of extras)
1. Loudon Wainwright
High Wide & Handsome The Charlie Poole Project
2. Martin Simpson
3. Laura Love & Orville
The Sweeter The Juice
4. Loreena McKennett
A Mediterranean Odyssey
5. Susan Mckeown
& Lorin Sklamberg
Saints & Tzaaiks
6. Liz Carroll John
7. Mick Moloney
If It Wasn't For The Irish And The Jews
8. Battlefield Band
Zama Zama Try Your Luck
9. Nathan Rogers
10. Geoff Muldaur
11. James Keelaghan
House Of Cards
12. The best concert I saw this year:
Loud & Rich "Loudon Wainwright & Richard Thompson" at UCLA Live! (Royce Hall)
For The Best In Radio - Folkscene
Hosted & Produced by Roz Larman www.folkscene.com
Top Ten 2009
1. L.A. Acoustic Music Festival:
Not because I was involved - the Top 10 part for me was seeing our folk community come together and make it happen. Seeing all the familiar faces volunteer and work to bring this music to Los Angeles was wonderful and inspiring. We are lucky folks. The line up was also part of my top ten, seeing Bruce Cockburn, Richard Thompson, Natalie MacMaster, David Lindley (watching Jackson Browne enjoy David Lindley's performance from the audience with his brother Severin was a highlight as well), David Bromberg and the Angel Band, the Kingston Trio, the Woody Guthrie Tribute, Jimmy LaFave, Eliza Gilkyson, Joel Rafael, Slaid Cleaves, the Refugees, and Stonehoney all in one place was just plain fun!
2. The Lowen & Navarro goodbye at Hotel
Tough, hard, and beautiful tribute to one of the best songwriting teams in our genre - 20 years of wonderful music. Watching Eric sing in a whisper the words to "If I was the Rain" was one of the most moving moments of 2009 for me. A wonderful, grace-filled individual devastated by the monster disease of ALS. Never have I seen someone handle such a devastating illness with such grace. We love you Eric.
3. Woody Guthrie Fest:
The Woody Guthrie Festival takes place in July in Okemah, OK, birthplace of Woody Guthrie, and always features an incredible line up of musicians. I went on the encouragement of Jimmy LaFave, who is instrumental in making the festival happen. Let me tell you, folks, there is magic in that red dirt - the music seeps deep into your soul. Or maybe it's that you're just steps from Woody's boyhood home, or that Mary Jo Guthrie, Woody's sister, and the whole host of the Guthrie family is all around you, but it is an experience you will never forget. Joining Mary Jo at her Pancake Breakfast on Sunday morning is one of the highlights of the fest.
4. Folk Alliance International conference:
Best Tribe Gathering - Always a bright spot of the year where we get to gather with our community, and network too! Highlights this year included honoring Vic Heyman and Odetta posthumously at the Awards Banquet (seeing Vic's empty easy chair was moving - we miss you, Vic!); the Keynote Address by Roger McGuinn; the Electric Guitar Summit featuring Freebo, Albert Lee, Phil Hurley (Stonehoney), Colin Linden (Blackie and the Rodeo Kings), James Burton (best known for playin' with Elvis!) and Luke Doucet (Blue Rodeo); the showcase rooms in general; and of course watching the sun come up after playing music all night with Stonehoney, Kenny Edwards, Wendy Waldman, Sarah Lee Guthrie, and many, many more that wondered in...
5. CD: "Monsters of Folk"
Debut album - For that matter, the entire Monsters of Folk tour - this collective's four songwriters -Conor Oberst, Jim James, M. Ward and Mike Mogis are each a monster artist individually. Good to see the next generation carrying the torch of folk music and making it their own.
6. Best Up and Coming:
Check out the Hotel Cafe in the early hours of the evening, which tends to be dedicated to acoustic music - I am amazed at the young talent they have booked there. Kate Miller-Heidke, Caitlin Crosby, and Astrella Celeste among others.
7. Best Folk Radio: KPFK
To Roz Larman of FolkScene, for carrying on the torch on KPFK every Sunday, and Mary Katherine Aldin, also on KPFK on Saturday early AM. Great interviews, great music, great job!
8. Best Gig Calendar:
Larry Wines, Acoustic Americana Music Guide - every week Larry tirelessly creates a very extensive posting of live acoustic music shows and news in the greater Los Angeles area, and beyond
9. Best Online Mag & Best Interviews:
To FolkWorks - yep, you guys. Carrying on the online version, reinventing and filling such and important role for Folk Music - you definitely deserve this. And the Interviewers you have - Terry Roland and Ross Altman are wonderful! Thank you for keeping such an informative and delightful publication going.
10. Best Legislative move:
The Folk Alliance International PRO agreement for House Concerts getting done - finally, we don't have to worry about the PRO's coming down on House Concerts. The ongoing negotiations will include Coffeehouses and non-profit Promoters in the coming months - all positives for our community.
Top Ten 2008
(In No Particular Order)
Top Ten 2008
Top Ten 2008
(In No Particular Order)