2014 Pete Seeger Tribute Concerts Photos
PHOTOS BY JUDY NAHMAN-STOUFFER
PHOTOS BY KATHLEEN MASSER
ANNUAL BENEFIT CONCERT
Saturday April 26 8pm
Reception at 7pm
Our annual benefit concert has always been a fun, ear-opening event and this year promises to be no exception.
SANTA MONICA Woman's Club
1210 Fourth St., Santa Monica, CA 90401
(near Wilshire & 4th St.)
Tickets: $20 general admission,
$25 VIP reserved seating
Info: concerts@FolkWorks.org 818-785-3839
Emcee Tracy Newman
Always entertaining, Tracy may throw in some of her own songs.
Los Angeles’ all-natural hillbilly and country blues band, combines the traditional sounds of fiddle and banjo breakdowns with the low-down sound of country blues, topped off with a touch of ragtime and hillbilly jazz. The versatile acoustic ensemble features fiddle, banjo, guitar, mandolin, washboard, and a few odds and ends.
The popular Los Angeles-based women’s chorus that brings to life vocal folk/roots traditions from around the world. Their songs range from Bulgaria, Georgia, Russia, Bosnia to Rom and Sephardic songs - as well as recently added American and Irish music. Their spellbinding harmonies are at the core of their eclectic repertoire. Whether a simple American song or the complex harmonies of Bulgaria the voices of Nevenka’s women are sure to move you. While mostly singing a cappella, they are occasionally accompanied by percussion, mandolin, guitar, citern or panduri.
Swing Riots Quirktette
The Swing Riots are comprised of 6 core members who have played for decades in everything from Balkan dance bands to traditional Swing groups. They perform an irreverent gumbo of Gypsy & Creole Jazz, Klezmer & Romanian Horas, Parisian Musette & the occasional wild card thrown in for good measure.
Tunacious is a Celtic genre-bending band with songs and dance tunes with a blowout contra dance to wind up the evening.
(Click on hyperlink for tickets)
Series at the Talking Stick Café
FolkWorks Benefit Concert April 26th
Swing Riots Quirktette, Sausage Grinder, Nevenka, Tunacious
emcee: Tracy Newman
Rose Garden of Peace Concert May 31st
With Yuval Ron Ensemble
Remembering Leslie Perry
(May 28, 1936-March 5, 2014)
The last time I saw storyteller Leslie Perry was at a gathering he hosted in Pasadena in order to have his close friends surrounding him one more time; photographs were taken, memories shared and of course stories told.. His body was withering away from the devastating effects of Lou Gehrig’s disease, but his smile was still incandescent as he held forth in typical Leslie fashion, all eyes upon him till the end. He had hosted many such gatherings in recent years, refusing to stop living in the face of his dire medical diagnosis. Indeed, it seemed to propel him into action, as he published two books, organized fundraisers for the Pasadena ALS (Amytropic Lateral Sclerosis) Society and became the center of gravity to his friends who were already missing him. And always this Michigan-born California transplant continued to practice his craft and tell his stories.
One of four African-American storytellers of my acquaintance (Michael McCarty, Barbara Clark and Nick Smith are the others) from LAs Community Storytellers, he devoted as much energy to being the main organizer of storytelling events as he did to actually telling stories. He was a focal point for WOW—With Our Words—whose leader Karen Golden has now put some of Leslie’s best known tales from live performances at the Beverly Hills’ Public Library up on YouTube. But the thing I remember with most fondness about Leslie is not his own storytelling—it was the fact that if he wasn’t performing himself he would always be in the audience listening. He was the Supporter-in-Chief of the entire community and it didn’t diminish his pleasure one iota to be in the audience rather than up on stage. He taught me that the story listener is just as important as the story teller. Without fail with Leslie in the audience you could count on a great performance from the stage; his kinetic energy, his rapt attention, his joy in the entire relationship was profoundly contagious and enveloped the performer as well as the room of other audience members.
Beauty’s Currency: Janis Ian and Tom Paxton
Barbican, London 25.3.14
FolkWorks’ British correspondent Rosa Redoz reviews Ian and Paxton’s Together At Last Tour.
Beauty is a strange currency. Janis Ian’s ode to a youth impoverished by plainness is a lilting bossa nova gem. Had she thought herself endowed with familiar features the art would not have been created.
“That seat will go.” said my neighbour as I spread my coat on an adjacent spare seat in the sold out concert in the Barbican, London on Tuesday evening.
“Have you seen Janis Ian before?” she asked me. “I did a few years ago and she was fabulous.”
And they were; from the moment Tom Paxton and Janis Ian took to the stage with Robin Bullock on mandolin.
“Yes we all still sing songs of hope and peace,” said Paxton after a fine opening rendition of How Beautiful upon the Mountain - the harmonies were perfect; the mandolin fills were divine and I caught glimpses of the extraordinary guitar skill Ian was to reveal as the set continued.
Who Put the Jangle in Mr. Bojangles?
In Concert at McCabe’s March 16, 2014
There are guitarists, and then there are guitarists. And then there is David Bromberg, the guitarist who put the jangle in Mr. Bojangles, Jerry Jeff Walker’s hit song about Bill “Bojangles” Robinson, the legendary African-American tap dancer who was for black America what Fred Astaire was to white America—the standard against which all others would be judged. But before you even heard Jerry Jeff’s voice on his signature recording, you already were captured by its descending bass-line guitar intro hook—that made you see Mr. Bojangles descending a staircase—as he did in one of his famous dance routines. It was musical magic at its finest—and the guitarist who came up with it was David Bromberg.
To see him live at McCabe’s last night was pure acoustic artistry that comes along about as often as that great dancer—once in a generation—if you’re lucky.
We were lucky to hear him—solo (for the most part) acoustic—just Bromberg and his orchestral vintage Martin D-28 sitting on stage in front of McCabe’s legendary microphone—where so many great musicians have now stood—and none greater than David Bromberg; if you love folk music, Bromberg is as good as it gets. And it is truly a rare pleasure to get to hear him solo; on his current tour every one of his other bookings is with his band, or at larger venues his “Big Band.” I prefer the one-man band and he gave us a very generous two and a half hour concert with one intermission, two standing ovations and three—three!—encores.
New Celtic Pub Sessions In Los Angeles
2014 started well for Celtic music In the Los Angeles area, with two new regular pub sessions filling in a desert between the San Fernando Valley and Long Beach. A pub session – or seisiún for those who like their Irish spelling – is a great way either to play or hear (and usually both) live music outside a stiff formal setting and nice to have two weekly sessions back in our area. Any type of jam session can be ephemeral and initial excitement wanes rapidly, but these two may have legs and be around for a while:
The first one is every Sunday night, starting at 7:30pm, at O'Brien's Irish Pub, 2226 Wilshire Blvd., Santa Monica. Easy parking and little traffic. The inside setup is ok because it becomes more of an aisle than a circle. But fits about a dozen players within that (misshaped) circle. No center table and limited space for your beer if you are in the musician’s circle in case that matters to you. As happened last night, consider spilled Guinness as a natural stain.
New World Flamenco Festival
La Flor de la Vida, August 10-19A Fuego Lento Photo by Miguel Angel Gonzalez
There are few folk dances that blend passion and precision, energy and elegance, as well as flamenco.
Its origins are only dimly known, and there is debate over the very word. The dance appeared first in the Andalusian region of Spain in the sixteenth century during what is known as the Reconquest and quickly spread. The unique mélange of native Andalusian, Islamic, Sephardic, and Gypsy cultures, gives the dance its themes of loss, persecution, pride, as well as its characteristic rite of sexual tension.Maria Jose Franco Photo by Dean Thomas
The word flamenco might mean gypsy or perhaps a reference to the Flemish, the legendary home of the gypsies. In either case, the origins are distinctly folk oriented, the dance developing from the poorer strata of society. Over the past 500 years it has been alternately derided as an uncouth regional dance and hailed as the pinnacle of Iberian soul.Now we have a unique opportunity to appreciate the very best in flamenco dance with the New World Flamenco Festival August 10-19 at the Irvine Barclay Theatre. The festival is titled La Flor de la Vida, The Prime of Life, and premieres three companies of young flamenco dancers who are among the very best currently performing in Spain.This established festival has often emphasized the stars of traditional flamenco, but this year's program will bring a new generation to Southern California.Juan Ogalla Photo by Andy Mogg
This is an unprecedented chance to see what is new and coming inflamenco dance. All the troupes are in the prime of life and promise to present an exciting show of new works, some created especially for this festival.Each company is led by a well-known dancer who has built his or her own company and been successful at Spain's major flamenco festival, Festival de Jerez. The three troupes will divide the ten day festival.Compañia Maria José Franco will perform August 10-12, a program titled De Grana y Oro, and features, besides Ms. Franco, a high-profile cast including Morenito de Llora, Juan Jose Amador and Luis Moneo. August 14-15, André Peña and Pila Ogalla will present "A Fuego Lento," which promises a smoldering male and female duet. And Compañia Juan Ogalla, with guest artist Milagros Mengibar, will perform Cosas de Cai, August 17-19, featuring Spain's leading exponent of the bata de cola, the long gown.
This is a chance to enjoy some of the best dancers in the world of any style, and a festival that deserves to attract many people interested in, and appreciative of, great folk dancing, fabulous production, and sensual storytelling.