• FOLKWORKS CALENDAR (click here)

     
  • FolkWorks Benefit Concert - This Saturday - See below ...

     
  • THEATRE REVIEWS

    The Resurrection of Paul Robeson:

    “Paul Robeson” At The
    Nate Holden Performing Arts Center

    Easter Sunday, April 20, 2014

    By Ross Altman

    Keith David - Paul RobesonFor an artist of Paul Robeson’s stature—except that there is no artist of Paul Robeson’s stature—to have become a stranger in his own land is one of the more improbable stories of a so-called free society. At one time the most famous performer in America—star of stage (Othello), screen (Show Boat), radio (Ballad for Americans), author (Here I Stand) and recording artist (for Columbia and Vanguard Records), Robeson strode across the American landscape like a colossus. No one would have been surprised to learn that he was a Phi Beta Kappa scholar at Rutgers, a two-time All-American football player and the toast of British Aristocracy after making his debut singing Ol’ Man River in Show Boat in London’s West End in 1927. He was declared “the Voice of the Century” long before the 20th Century was over—sharing that title with Marian Anderson.

    Read more: THE RESURRECTION OF PAUL ROBESON


    All Alone with Paul Robeson:

    The Tallest Tree in the Forest

    The Mark Taper Forum - April 19, 2014

    By Ross Altman

    Tallest Tree in the Forest - Daniel BeatyWho is the real Paul Robeson? The Tallest Tree in the Forest or the biggest windbag in Los Angeles? It wasn’t clear to this reviewer last night at the opening of the new one-man play about Robeson by actor Daniel Beaty at The Mark Taper Forum at The Music Center—until half way through the performance—when he sang Zog Nit Keynmol—Never Say—the Warsaw Ghetto anthem penned by Hirsh Glick, the 22-year old Vilna poet who wrote the song upon hearing news of the Jewish resistance to the Nazi attempt to liquidate the ghetto on April 19, 1943, as a birthday present for Adolph Hitler, who was born on April 20—today, as I write this review on Easter Sunday, Hitler’s birthday.

    Read more: ALL ALONE WITH PAUL ROBESON

     
  • FolkWorksLogo-COLOR web

    ANNUAL BENEFIT CONCERT

    Saturday April 26 8pm

    Reception at 7pm

    Our annual benefit concert has always been a fun, ear-opening event and this year promises to be no exception.

    Tracy-Newman-benefit 2014 for web

    at the
    SANTA MONICA Woman's Club

    1210 Fourth St., Santa Monica, CA 90401
    (near Wilshire & 4th St.)

    Tickets: $20 general admission,
    $25 VIP reserved seating

    Click here to buy your tickets now!

    Info: concerts@FolkWorks.org       818-785-3839

    Emcee Tracy Newman

    Always entertaining, Tracy may throw  in some of her own songs.

     

    Sausage Grinder

    SAUSAGE GRINDER photo for benefit for web

    Los Angeles’ all-natural hillbilly and country blues band, combines the traditional sounds of fiddle and banjo breakdowns with the low-down sound of country blues, topped off with a touch of ragtime and hillbilly jazz. The versatile acoustic ensemble features fiddle, banjo, guitar, mandolin, washboard, and a few odds and ends.

    Nevenka

    Nevenka 2014 for web

    The popular Los Angeles-based women’s chorus that brings to life vocal folk/roots traditions from around the world. Their songs range from Bulgaria, Georgia, Russia, Bosnia to Rom and Sephardic songs - as well as recently added American and Irish music. Their spellbinding harmonies are at the core of their eclectic repertoire. Whether a simple American song or the complex harmonies of Bulgaria the voices of Nevenka’s women are sure to move you. While mostly singing a cappella, they are occasionally accompanied by percussion, mandolin, guitar, citern or panduri.

    Swing Riots Quirktette

    SWING RIOTS color NEW LINEUP for web

    The Swing Riots are comprised of 6 core members who have played for decades in everything from Balkan dance bands to traditional Swing groups. They perform an irreverent gumbo of Gypsy & Creole Jazz, Klezmer & Romanian Horas, Parisian Musette & the occasional wild card thrown in for good measure. 

    Tunacious

    TUNACIOUS for webContradanceTunacious is a Celtic genre-bending band with songs and dance tunes with a blowout contra dance to wind up the evening.

     
  • FOLKWORKS CONCERTS

    Upcoming Concerts

    (Click on hyperlink for tickets)

    Series at the Talking Stick Café

    FISHTANK ENSEMBLE     May 24th         ANTONIO SACRE, MICHAEL McCARTY and others     June 28th
           Gypsy                                                                 Storytelling

    NEVENKA     September 27th                        SYNCOPATHS     October 25th
           East European Women's Choir                            Upbeat Celtic

     


    FolkWorks Benefit Concert   April 26th

    Swing Riots Quirktette, Sausage Grinder, Nevenka, Tunacious
                     emcee: Tracy Newman


    Rose Garden of Peace Concert  May 31st

    With Yuval Ron Ensemble

     
  • COLUMN OF THE WEEK

    January-February 2014

    For the Love of Wade

    By David Bragger

    wade ward 2I love Wade Ward! When I started immersing myself in old time music, I first heard Wade Ward on an out of print compilation of Lomax recordings. Soon after, I picked up the Smithsonian Folkways recording Uncle Wade - A Memorial To Wade Ward: Old Time Virginia Banjo Picker, 1892-1971 and was blown away at the sophisticated simplicity of his playing on both fiddle and banjo. Something about his bold, archaic style just sent lightning bolts right through my body when I first heard him.

    Read more: For the Love of Wade

Print

July-August 2007

New World Flamenco Festival

La Flor de la Vida, August 10-19

By Chris Stuart

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A Fuego Lento Photo by Miguel Angel Gonzalez

There are few folk dances that blend passion and precision, energy and elegance, as well as flamenco.

Its origins are only dimly known, and there is debate over the very word. The dance appeared first in the Andalusian region of Spain in the sixteenth century during what is known as the Reconquest and quickly spread. The unique mélange of native Andalusian, Islamic, Sephardic, and Gypsy cultures, gives the dance its themes of loss, persecution, pride, as well as its characteristic rite of sexual tension.

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Maria Jose Franco Photo by Dean Thomas

The word flamenco might mean gypsy or perhaps a reference to the Flemish, the legendary home of the gypsies. In either case, the origins are distinctly folk oriented, the dance developing from the poorer strata of society. Over the past 500 years it has been alternately derided as an uncouth regional dance and hailed as the pinnacle of Iberian soul.Now we have a unique opportunity to appreciate the very best in flamenco dance with the New World Flamenco Festival August 10-19 at the Irvine Barclay Theatre. The festival is titled La Flor de la Vida, The Prime of Life, and premieres three companies of young flamenco dancers who are among the very best currently performing in Spain.This established festival has often emphasized the stars of traditional flamenco, but this year's program will bring a new generation to Southern California.

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Juan Ogalla Photo by Andy Mogg

This is an unprecedented chance to see what is new and coming inflamenco dance. All the troupes are in the prime of life and promise to present an exciting show of new works, some created especially for this festival.Each company is led by a well-known dancer who has built his or her own company and been successful at Spain's major flamenco festival, Festival de Jerez. The three troupes will divide the ten day festival.Compañia Maria José Franco will perform August 10-12, a program titled De Grana y Oro, and features, besides Ms. Franco, a high-profile cast including Morenito de Llora, Juan Jose Amador and Luis Moneo. August 14-15, André Peña and Pila Ogalla will present "A Fuego Lento," which promises a smoldering male and female duet. And Compañia Juan Ogalla, with guest artist Milagros Mengibar, will perform Cosas de Cai, August 17-19, featuring Spain's leading exponent of the bata de cola, the long gown.

This is a chance to enjoy some of the best dancers in the world of any style, and a festival that deserves to attract many people interested in, and appreciative of, great folk dancing, fabulous production, and sensual storytelling.

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