By Audrey Coleman

    Gustavo BulgachPut the two words “Yiddish” and “tango” together, and some might respond, “You’re joking?” But history bears out a strong connection between the two. These will be evident in the upcoming performance of Yiddish Tango Club at the Skirball Cultural Center on Thursday evening, August 21. Having investigated Vietnamese tango in my June column, this gives me yet another opportunity to dig for treasures in music history.

    But first here’s the scoop on the show. Virtuoso klezmer clarinetist Gustavo Bulgach, who launched the Yiddish Tango Club project in 2012, will lead his ensemble in accompanying tangos with lyrics written in Yiddish as well as Argentine tango instrumentals from the early days of the genre and the innovative tangos of Astor Piazzolla. They also will be performing pieces from the klezmer repertoire, freilachs (happy, fast-paced numbers) and nigunim (improvised vocal numbers with roots in religious and particularly Hasidic texts and music).



    FolkWorks Logo Presents



     Saturday, September 27th   at   8pm

    doors open at 7:30pm

    newly renovated Talking Stick Café

    1411 Lincoln Blvd., Venice, CA 90291

    at Lincoln and California St. in corner behind Pollo Loco
    Parking available behind or in Ross Dress For Less parking lot.

    General Admission: $18

    FolkWorks members (Friend and above) – reserved seating: $16

    Nevenka Concert Tickets

    By Mail:
    FolkWorks PO Box 55051
    Sherman Oaks, CA 91413
    818-785-3839 concerts@FolkWorks.org

     NEVENKA Marigold CD cover

    Read more: NEVENKA 2014 CONCERT


    FINAL 2014 Concert

    (Click on hyperlink for tickets)

    Series at the Talking Stick Café

    1411 Lincoln Blvd., Venice, CA 90291

    SYNCOPATHS    October 25th 

                  Upbeat Celtic


    September-October 2014


    By Dennis Roger Reed

    Live Music Tonight signGot an email from a young lady that books music for a pizza place. One of the bands I play with performed regularly there in the last couple of years. She had bad news: instead of a couple more dates before the end of the year, she let us know that the venue was dropping live music. Too bad, I liked the place, it paid fairly well and we drew good sized crowds because it was a ways from our “usual territory.” Certainly not the first venue to close up shop, nor the last. At least it wasn’t like that scene in Paul Simon’s actually quite excellent movie One Trick Pony where the band pulls up to the venue only to find it’s out of business. Sad but true, venues go out of business. Owners change. Live music is dropped.




By Ron Young

Battlefield_BandScotland’s venerable Battlefield Band has been playing great Scottish and Irish music since their formation in 1970, and they are just embarking on their latest tour of North America. Unlike some Rock and Roll bands who have become sad caricatures of themselves, they have stayed to the forefront of traditional music. They have pretty much seamlessly pulled it off with the timely changing of personnel, not always an easy or satisfying feat to accomplish.

I first saw them in the early nineteen eighties at the home of Clark and Elaine Weissman in Tarzana, who in my estimation did more to promote this kind of music in Southern California than did all the Scottish and Irish cultural organizations put together at the time. The Weissman’s also hosted Silly Wizard, Ossian, and the Tannahill Weavers, among others. To say that I was blown away, is a serious understatement, as I really thought that I had died and gone to musical Heaven! I subsequently saw then at McCabe’s in Santa Monica, the Barn at U.C. Riverside and Cal Tech in Pasadena and always enjoyed them.

The Battlefield Band, named for an area in the South of Glasgow, has had a great deal of lineup changes since their founding, and their list of alumni reads like a who’s who of great Scottish and Irish musicians. I have a sneaking suspicion that some of the current line up were just a gleam in their parent’s eyes, when the band first hit the road.

The current musicians are Sean O’Donnell (vocals, guitar), Ewen Henderson (fiddle, bagpipes, whistles, piano, and vocals), Alasdair White (fiddle, tin whistle, banjo, bouzouki, Highland bagpipes, small pipes, and bodhran), Mike Katz (Highland bagpipes, small pipes, various whistles, bass guitar, and guitar). A swift piece of arithmetic comes up with around twenty instruments, which must be no fun for their roadie!

They are currently beginning their umpteenth tour of the States, which will include AMSD Concerts in San Diego on the 24th of March, Ojai Women’s Club on the 27th and Freight and Salvage in Berkeley on the 28th. If you have seen them before, then you will know that they are the real deal (or make that the reel deal), and if you haven’t, then you are in for a treat. From frenetic jigs and reels to traditional (and not so traditional songs, such as O.V. Wright’s hit That’s How Strong My Love Is (made famous by Otis Redding). The tunes and songs continue to sound fresh, and you get the feeling that they are really enjoying themselves. Their somewhat different version of Creedence Clearwater Revival’s Bad Moon Rising will always be a classic for me!

Philadelphia Folk Festival 2011
(http://www.youtube.com/v/Vn7vKDjOq1s )

I had a really interesting conversation on the 9th of March with Robin Morton, who has managed and produced them since the early days. Robin was an original member of the Boys of the Lough, so he has a very good pedigree in this particular field. It was somewhat surreal, as he was in New York, and I was in the Scottish Highlands. We talked about the current economy and its effect on musicians in general. We also discussed the current line up, and talked about the early days.

In this current climate of the internet, there is a whole world of information at your fingertips, so look them up, see what they are about, and attend one of their concerts near you. You will not regret it.

Tour Dates

New Album:

Battlefield Band's latest record Room Enough For All was released in the USA on the 19th March, by Temple Records.

Ron Young had the good fortune to grow up in rural Scotland, surrounded by the traditions of Scottish music and dance. He would like readers to know that whatever you heard about that sheep, it’s not true. Ron has spent the better part of thirty years involved with various Celtic and Scottish cultural organizations in southern California, and now back in Aberfeldy where he has continued to pursue his love of traditional music.

Wednesday the 20th of August, 2014. All Material Copyright © 2006-2013 FolkWorks | Home