ANYONE FOR YIDDISH TANGO?
Put the two words “Yiddish” and “tango” together, and some might respond, “You’re joking?” But history bears out a strong connection between the two. These will be evident in the upcoming performance of Yiddish Tango Club at the Skirball Cultural Center on Thursday evening, August 21. Having investigated Vietnamese tango in my June column, this gives me yet another opportunity to dig for treasures in music history.
But first here’s the scoop on the show. Virtuoso klezmer clarinetist Gustavo Bulgach, who launched the Yiddish Tango Club project in 2012, will lead his ensemble in accompanying tangos with lyrics written in Yiddish as well as Argentine tango instrumentals from the early days of the genre and the innovative tangos of Astor Piazzolla. They also will be performing pieces from the klezmer repertoire, freilachs (happy, fast-paced numbers) and nigunim (improvised vocal numbers with roots in religious and particularly Hasidic texts and music).
NEXT FOLKWORKS CONCERT
Saturday, September 27th at 8pm
doors open at 7:30pm
newly renovated Talking Stick Café
1411 Lincoln Blvd., Venice, CA 90291
at Lincoln and California St. in corner behind Pollo Loco
Parking available behind or in Ross Dress For Less parking lot.
General Admission: $18
FolkWorks members (Friend and above) – reserved seating: $16
Nevenka Concert Tickets
FolkWorks PO Box 55051
Sherman Oaks, CA 91413
FINAL 2014 Concert
(Click on hyperlink for tickets)
Series at the Talking Stick Café
1411 Lincoln Blvd., Venice, CA 90291
SYNCOPATHS October 25th
SINGING BACKUP OR SWINGING BANJOS
When I was a kid, most of my friends wanted to be things like nurses and firemen when they grew up. My career goal was a bit different—I wanted to be a backup singer. You know… a Vandella, or a Pip, or maybe one of those anonymous women who appeared on TV helping Perry Como or Dean Martin to sound good. (OK, I also desperately wanted to be the third Everly Brother, but there was that nagging problem of gender).
It seemed like the perfect career choice. It involved singing (mandatory), you got to record, go on tour, meet cool people, and get paid. But you didn’t have to put up with the downside of fame, or worry about whether your next album would sell.
I never did achieve that career goal, although I came close a few times. But I have continued to admire the singers who make their living doing what I now know is a challenging and sometimes stressful job.
Ed Haley’s Rebel Raid
Old Time Grind House Fiddle Lesson
I’m ecstatic about sharing an Ed Haley fiddle lesson with y’all! He’s one of the very best fiddlers to have ever lived. Few people actually carry his torch in my mind. His recording of this tune features all the classic Haley elements. His control of melody, bowing and stream of consciousness variations are ever present and so wonderful to listen to. In this lesson, I present the tune with a few built-in variations. Nothing is simplified. A couple particular bow patterns are highlighted. The idea is to get you playing the tune without being overwhelmed by all the possibilities of Haley’s playing. I’ve selected one of his A Section melodies as the foundation for the section, which can be perfectly articulated with several shuffle patterns. The B section will retain its notey attributes with a focus on this shuffle bow pattern concept. There are many options but I’ve kept things under control so as not to create an hour-long lesson with too much of a focus on the infinite possibilities. So here’s Rebel Raid in a bite-sized tablet for your edification and enjoyment.
David Bragger is a Los Angeles-based instructor and player of old time fiddle and banjo music. He also photographs, films, and collects the lore of traditional artists, from puppeteers in Myanmar to fiddlers of Appalachia www.myspace.com/davidbragger