FolkWorks Benefit Concert - This Saturday - See below ...
The Resurrection of Paul Robeson:
“Paul Robeson” At The
Nate Holden Performing Arts Center
Easter Sunday, April 20, 2014
For an artist of Paul Robeson’s stature—except that there is no artist of Paul Robeson’s stature—to have become a stranger in his own land is one of the more improbable stories of a so-called free society. At one time the most famous performer in America—star of stage (Othello), screen (Show Boat), radio (Ballad for Americans), author (Here I Stand) and recording artist (for Columbia and Vanguard Records), Robeson strode across the American landscape like a colossus. No one would have been surprised to learn that he was a Phi Beta Kappa scholar at Rutgers, a two-time All-American football player and the toast of British Aristocracy after making his debut singing Ol’ Man River in Show Boat in London’s West End in 1927. He was declared “the Voice of the Century” long before the 20th Century was over—sharing that title with Marian Anderson.
All Alone with Paul Robeson:
The Tallest Tree in the Forest
The Mark Taper Forum - April 19, 2014
Who is the real Paul Robeson? The Tallest Tree in the Forest or the biggest windbag in Los Angeles? It wasn’t clear to this reviewer last night at the opening of the new one-man play about Robeson by actor Daniel Beaty at The Mark Taper Forum at The Music Center—until half way through the performance—when he sang Zog Nit Keynmol—Never Say—the Warsaw Ghetto anthem penned by Hirsh Glick, the 22-year old Vilna poet who wrote the song upon hearing news of the Jewish resistance to the Nazi attempt to liquidate the ghetto on April 19, 1943, as a birthday present for Adolph Hitler, who was born on April 20—today, as I write this review on Easter Sunday, Hitler’s birthday.
ANNUAL BENEFIT CONCERT
Saturday April 26 8pm
Reception at 7pm
Our annual benefit concert has always been a fun, ear-opening event and this year promises to be no exception.
SANTA MONICA Woman's Club
1210 Fourth St., Santa Monica, CA 90401
(near Wilshire & 4th St.)
Tickets: $20 general admission,
$25 VIP reserved seating
Info: concerts@FolkWorks.org 818-785-3839
Emcee Tracy Newman
Always entertaining, Tracy may throw in some of her own songs.
Los Angeles’ all-natural hillbilly and country blues band, combines the traditional sounds of fiddle and banjo breakdowns with the low-down sound of country blues, topped off with a touch of ragtime and hillbilly jazz. The versatile acoustic ensemble features fiddle, banjo, guitar, mandolin, washboard, and a few odds and ends.
The popular Los Angeles-based women’s chorus that brings to life vocal folk/roots traditions from around the world. Their songs range from Bulgaria, Georgia, Russia, Bosnia to Rom and Sephardic songs - as well as recently added American and Irish music. Their spellbinding harmonies are at the core of their eclectic repertoire. Whether a simple American song or the complex harmonies of Bulgaria the voices of Nevenka’s women are sure to move you. While mostly singing a cappella, they are occasionally accompanied by percussion, mandolin, guitar, citern or panduri.
Swing Riots Quirktette
The Swing Riots are comprised of 6 core members who have played for decades in everything from Balkan dance bands to traditional Swing groups. They perform an irreverent gumbo of Gypsy & Creole Jazz, Klezmer & Romanian Horas, Parisian Musette & the occasional wild card thrown in for good measure.
Tunacious is a Celtic genre-bending band with songs and dance tunes with a blowout contra dance to wind up the evening.
(Click on hyperlink for tickets)
Series at the Talking Stick Café
FolkWorks Benefit Concert April 26th
Swing Riots Quirktette, Sausage Grinder, Nevenka, Tunacious
emcee: Tracy Newman
Rose Garden of Peace Concert May 31st
With Yuval Ron Ensemble
For the Love of Wade
I love Wade Ward! When I started immersing myself in old time music, I first heard Wade Ward on an out of print compilation of Lomax recordings. Soon after, I picked up the Smithsonian Folkways recording Uncle Wade - A Memorial To Wade Ward: Old Time Virginia Banjo Picker, 1892-1971 and was blown away at the sophisticated simplicity of his playing on both fiddle and banjo. Something about his bold, archaic style just sent lightning bolts right through my body when I first heard him.
Ed Haley’s Rebel Raid
Old Time Grind House Fiddle Lesson
I’m ecstatic about sharing an Ed Haley fiddle lesson with y’all! He’s one of the very best fiddlers to have ever lived. Few people actually carry his torch in my mind. His recording of this tune features all the classic Haley elements. His control of melody, bowing and stream of consciousness variations are ever present and so wonderful to listen to. In this lesson, I present the tune with a few built-in variations. Nothing is simplified. A couple particular bow patterns are highlighted. The idea is to get you playing the tune without being overwhelmed by all the possibilities of Haley’s playing. I’ve selected one of his A Section melodies as the foundation for the section, which can be perfectly articulated with several shuffle patterns. The B section will retain its notey attributes with a focus on this shuffle bow pattern concept. There are many options but I’ve kept things under control so as not to create an hour-long lesson with too much of a focus on the infinite possibilities. So here’s Rebel Raid in a bite-sized tablet for your edification and enjoyment.
David Bragger is a Los Angeles-based instructor and player of old time fiddle and banjo music. He also photographs, films, and collects the lore of traditional artists, from puppeteers in Myanmar to fiddlers of Appalachia www.myspace.com/davidbragger