Thursday, December 5th at 8pm
2560 N. Beachwood Dr., Hollywood
or mail check to:
PO Box 55051
Sherman Oaks, CA 91413
Tom Paxton and Tonto Ride Again
In Concert at McCabe’s - November 23rd, 2013
Tom Paxton may be the daring and resourceful masked songwriter of the plains, but the Lone Ranger doesn’t ride alone. In his most recent concert appearance at McCabe’s last Saturday he was accompanied throughout by LA’s master multi-instrumentalist Fred Sokolow—who played dobro, banjo, guitar and mandolin to add musical depth and texture to Paxton’s deep catalogue of wonderful songs going all the back to 1960, when he came out of Uncle Sam’s Army with his first keeper—The Marvelous Toy, a children’s classic that is now also a beautifully illustrated children’s book.
Lillian Dolores “Dolly” Martin
(October 24 1942- November 10, 2013)
Dolly Martin was a dancer. She embodied and did what Whitman was telling us to be and do. She was a doer, a dancer, a golfer, a wife , a mother, grandmother and an actor- both onstage and off. When she was present, wherever it was, you knew it.
The Monday before last, at the music seisiún ,the night after Dolly died, Barry Lynch, former Artistic Director of An Claidheamh Soluis/The Celtic Arts Center, fondly remembered, “When Dolly was in the audience, you always knew it. You could hear her laugh.” He also said that when you were rehearsing, if she was acting with you she wouldn’t hesitate to tell you what she thought, something I have experienced myself, and in Tim’s, Dolly’s husband’s, case, she also wouldn’t hesitate to tell him exactly how he could do it better!
Lillian Dolores Martin, born Murray, one of ten children born to Thomas and Mary Murray, grew up on Stanaway road in Dublin, with five sisters and four brothers. Her sister, Anna Gossain, says she was beautiful from the day she was born. Anna remembers her mother saying about Dolores, ”If you put a sack on her she’d look beautiful but you’d want Brown Thomas’s of Grafton Street for Anna to look anything”!
AUTHOR: DONALD COHEN
PUBLISHER: MUSIC SALES AMERICA
RELEASE DATE: FEBRUARY 2013
My friend Donald Cohen has written a new book about Gypsy Music called Gypsy Voices: Songs from the Romani Soul. It is his third book about music; his earlier books include Fado Português: Songs from the Soul of Portugal and Tango Voices: Songs from the Soul of Buenos Aires and Beyond.
Like the earlier volumes, Gypsy Voices is filled with wonderful photographs, commentary on all 21 songs on the cd that comes with it, lyrics translations, and even sheet music. It’s everything that a music fan could want. It also was a labor of love, involving many difficult choices among the thousands of songs in the Roma diaspora (Macedonia, Russia, Greece, Romania, Bulgaria, Hungary, Czech Republic, Serbia).
The Roma people have been misunderstood and maligned for centuries, experiencing repression and rejection wherever they went. Yet they have endured. Originally from Northwestern India, they were called “gypsies” because of their dark skin: people thought they came from Egypt. The word “gyped” as in “The salesperson gyped me…” (meaning ripped off) is an example of the negative attitude.
TITLE: 150 GEMS OF IRISH MUSIC FOR TIN WHISTLE:
WITH SUGGESTED ORNAMENTATION AND PHRASING
AUTHOR: GREY LARSEN
PUBLISHER: MEL BAY PUBLICATIONS
RELEASE DATE: 2013
Grey Larsen’s third instructional book and tune collection for the tin whistle (also known as the pennywhistle) presents a comprehensive explanation of pennywhistle performance in addition to a notated selection of 150 Irish dance tunes with suggested ornamentation. Following a similar organizational structure as his first two books, the first section of 150 Gems of Irish Music for Tin Whistle offers a concise explanation of pennywhistle technique as well as more detailed discussions of ornamentation, phrasing, and tune structure. It is assumes that the reader already has a familiarity with the basics of Western staff notation.
The 150 tunes included within Larsen’s book are divided into three groups based upon whether they are a) perfectly amenable to performance on whistle, b) non-wind in origin, or c) suitable for performance on whistles in keys other than “D,” the most common key for pennywhistles. This is a departure from the majority of tune collections, which are more typically organized by difficulty or tune type. Larsen’s choice to organize tunes in this manner, however, illustrates his commitment to developing a guide specifically for pennywhistle rather than another generic tune collection.
Conveniently included with Larsen’s book are two audio CDs consisting of recordings of all 150 tunes notated in the collection.
TITLE: THE BACH UKE BOOK
AUTHOR: ROB MACKILLOP
PUBLISHER: MEL BAY
RELEASE DATE: 2012
The Bach Uke Book is a surprisingly pleasing book for aficionados of classical music who also play the ukulele. The clean sounds of the Bach pieces arranged in fingerpicking style with some two, three, and four note chords mixed into the melody are at times reminiscent of the sounds of a harpsichord.
While the ukulele is mostly known for its origins as a Hawaiian folk instrument, and prior to that, as a Portuguese folk instrument, the classical pieces in this book will help any musician to become familiar with the whole instrument and to work on tempos and variations within the music.
The pieces range from easy to challenging but are not placed in the book in the order of difficulty nor is their any notation on the piece to indicate the level of difficulty of the piece. It is up to the musician to determine the level of difficulty for themselves. The more challenging pieces, such as “Minuet in F”, “Polonaise in Gm”, and “Sheep May Safely Graze”, include triplets, sixteenth and thirty-second notes and intricate phrasing.
Davey Come on Back
And Act Like You Ought To
This recent October was riddled with old time music action! First off, Rafe and Clelia Stefanini stayed for a week at my Old Time Tiki Parlour for workshops, a house concert and a ton of filming! To let you in on a little secret, we'll probably be releasing the footage as one of the first Old Time Tiki Parlour performance DVDs next year! Rafe was one of my living heroes when I started playing old time music, so it was a treat to be able to play tunes with him that I learned over a decade ago at his workshops. During their stay, many of us trekked up to the Santa Barbara area for the Goleta Old Time Fiddler's Convention. Rafe and Clelia Stefanini performed, as did my old time jug band Sausage Grinder. Rafe, Chris Berry (of SG) and I taught fiddle and banjo workshops there as well. At first, I was going to present just an audio lesson of my workshop tune, but something kept nagging at me.
How Old? You’re Kidding, Right?
Part of the aging process is figuring out that you are old. You’ve done certain things thousands of times. Why aren’t you better at it? And how much longer do you have to improve?
Most of this stuff comes in little puffs. I recently realized I’d been playing a club in Newport Beach for 25 years, and had held the same last Friday of the month gig at the club for over ten years. That’s a long time. Also, I had to realize that I’d played with a couple of the guys in the band for over 20 years. No wonder they look so old.
I think more of a shock comes when you “inventory” yourself and your accomplishments. I’ve been writing songs for 40 years. Although I’ve written some good songs, shouldn’t there be more? Or better songs? I’ve played the guitar for 45 years, the mandolin for 22 years, and the bass for 20 years. One would assume that I’d be a cross between Segovia, Bill Monroe and Jack Bruce, but I am decidedly not. I’ve been writing about music for a much shorter time, only about 15 years, so most likely I will get better at that.
One can argue that since Mick Jagger and Keith Richard are 187 years old and still playing rock and roll it’s not a young man’s sport any longer. Folk and roots music has always been much more forgiving about age. Pete Seeger, Doc Watson and many others perform(ed) well into their 80s. But marketing does rear its ugly head. I can recall seeing a folk diva that used 40 year old photos in her promos and ads. Odd, since she was/is still a very attractive middle aged woman, but apparently a more marketable young woman.
Since it’s an aging world, we can expect more guys with hair extensions and spandex pants still romping at 65 or 70. Ringo just hit 72, looks good and can still smack the drums well. Debbie Reynolds still tours. Synchronized walkers next? Probably.
What about us oldsters that want to try something new? Luckily, 70 is the new 60 or something like that. The truth is that taking up a musical instrument or learning to write songs probably is easier when we’re younger, but most of us older folks have something young people don’t and that’s free time. Unless some major physical maladies are involved, there is no reason why an older person can’t learn an instrument or start writing songs. Stretch yourself a little.
My goal is to continue as if I’ll live to 125, but with more focus on learning more about the instruments I play, and turning my “give-a-shitter” (Bob Brozman’s term for how we govern ourselves) way down when I perform.
So go out and support live music. Don’t notice how old the performers may be. Tip the wait staff, smile at your brother and everybody get together and try to love one another.
Dennis Roger Reed is a singer-songwriter, musician and writer based in San Clemente, CA. He’s released two solo CDs, and appeared on two CDs with the newgrassy Andy Rau Band and two CDs with the roots rockers Blue Mama. His prose has appeared in a variety of publications such as the OC Weekly and MOJO magazine. Writing about his music has appeared in an eclectic group of publications such as Bass Player, Acoustic Musician, Dirty Linen, Blue Suede News and Sing Out! His oddest folk resume entry would be the period of several months in 2002 when he danced onstage as part of both Little Richard’s and Paul Simon’s revues. He was actually asked to do the former and condoned by the latter. He apparently knows no shame.