• Concert Banner 2 Sauber Boys small

    THIS AFTERNOON
    April 26th - 3:00pm

    (Doors open 2:30pm)

    Santa Monica Bay Woman’s Club
    1210 4th St., Santa Monica, CA 90401

    with Tracy Newman – MC - 'Banjo Gal' Donna Lynn Caskey
    - Joe Fontenot - 
    The New Ash Grove Players
    - Rowan Storm - Tom & Patrick Sauber

    TICKETS WILL BE AVAILABLE AT THE DOOR!

    Click below more information and YouTube Videos
    of all the artists who will be performing at the FolkWorks Benefit Concert

    Read more: 2015 Benefit Concert


    SPOTLIGHT

    Concert Flyer for WEB

    Just added: The New Ash Grove Players
    singing songs from the Bristol Sessions
    as well as Lead Belly classiscs.

    Bring your kids....Children under 12 just $10

    Click to get your tickets!!

    Read more: FolkWorks Benefit Concert


    CONCERT REVIEW

    FROM APPALACHIA TO BULGARIA:

    SOARING TONES, RAUCOUS RHYTHMS TO FILL LITTLE TOKYO THEATER

    By Audrey Coleman

    Varimezov  and VOCOHas your musical diet has been lacking world and traditional music lately? On Saturday, April 18 at the Aratani Theatre, you’ll have a chance to gorge yourself, aurally speaking. Fans of Moira Smiley and her VOCO ensemble know that her repertoire ranges from traditional American shape note singing to heart-rending East European melodies and on to provocative creations combining vocal lines with percolating body percussion. What a gift to Los Angeles lovers of world and traditional music that these musicians will share a program with the world-renowned Varimezov Family Band.

    Read more: FROM APPALACHIA TO BULGARIA - Varimezov and VOCO


    CD REVIEWS

    TITLE: THE WIDENING GYRE

    ARTIST: ALTAN

    LABEL: COMPASS RECORDS

    RELEASE DATE: FEBRUARY 20, 2015

    By Anya Sturm

    Altan - The Widening GyreAltan’s new CD The Widening Gyre is a fantastic collection of traditional Gaelic songs mixed in with Irish jam regulars. The band is joined by many special guests in this collection of upbeat lively jam tunes as well as slower songs sung by Mairéad Ní Mhaonaigh.

    Altan is a traditional Irish band— arguably the most famous one currently playing. It was started in 1987 by Mairéad (rhymes with parade) and her late husband Frankie Kennedy. Mairéad is the daughter of Proinsias Ó Maonaigh, or Francie Moony who also contributed to traditional Irish fiddling.

    Read more: ALTAN - THE WIDENING GYRE


    TITLE: NOT THAT KIND OF GIRL

    ARTIST: SUSIE GLAZE & THE HILONESOME BAND

    LABEL: HILONESOME MUSIC

    RELEASE DATE: MARCH 2015

    By Jackie Morris

    notthatkindofgirlcoverarthi-resAfter three critically acclaimed CDs in the past 5 years, it is not surprising that Susie Glaze & The Hilonesome Band have created yet another memorable album. But Not That Kind of Girl is more than just “another.” It is, I believe, their best album yet...in part because this group keeps pushing their own boundaries...challenging themselves in terms of musical diversity, original songs and fresh interpretations.

    Read more: SUSIE GLAZE - NOT THAT KIND OF GIRL


    TITLE: DAN GELLERT DVD & CD SET

    ARTIST: DAN GELLERT

    LABEL: THE OLD-TIME TIKI PARLOUR

    RELEASE DATE: FEBRUARY 2015

    By Steve Goldfield

    Dan Gellert DVD-CD coverSome of Dan Gellert's early recordings seemed to have trouble capturing his unique sound and approach to old-time music. The late Ray Alden told me that he had to use two microphones, one in front and one behind Dan's banjo, to do it. This new recording from David Bragger's Old-Time Tiki Parlour succeeds on multiple levels: it has excellent sound and also comes on both a DVD where you can watch Dan play banjo and fiddle and sing and an audio CD of the same material. David told me that everyone associated in any way with its production is an old-time musician. 

    Read more: DAN GELLERT DVD & CD SET


    TITLE: LONG BEFORE LIGHT

    ARTIST: THE ONLIES

    LABEL: NONE

    RELEASE DATE: APRIL 4, 2015

    By Anya Sturm

    long before lightLong Before Light is the third CD by the Onlies, a three-piece band from Seattle. Sami Braman, Riley Calcagno, and Leo Shannon are still juniors in high school, but have played together for years, so they are a solid band. Together, they have been to many fiddle camps including Valley of the Moon, Sierra Fiddle Camp, Fiddle tunes, Big Sur Fiddle Camp, and Mount Shasta Fiddle Camp and the influence of those camps shows. It is not uncommon to walk around these camps at any time of day or night and hear people jamming and that CD reflects the same laid-black groove that develops from playing in those jams.

    Read more: THE ONLIES: LONG BEFORE LIGHT


    TITLE: TOMORROW IS MY TURN

    ARTIST: RHIANNON GIDDENS

    LABEL: NONESUCH

    RELEASE DATE: 2015

    By Steve Goldfield

    giddens-tomorrow-is-my-turnIn case you were wondering whether Rhiannon Giddens has one of the great singing voices of our time, her new solo CD will answer that question. If you had not been wondering, it means that you probably have not heard her sing. T-Bone Burnett, who produced this collection of eleven songs, places her in a musical geneology ranging through Marian AndersonOdettaMahalia Jackson, and Rosetta Tharpe

    Read more: RHIANNON GIDDENS: TOMORROW IS MY TURN


    BLOG

    APRIL 26TH, 2015

    No catchphrases…..just the real deal. The Fontenot Cajun Creole Band plays for the love of traditional styles of the music of our culture. The group has sprung up from get togethers in Mr Joe’s back room over strong coffee, laughs , and pots simmering on the stove. We play because we love the music and our culture. Many Louisiana creoles came to the west coast for work after the war and formed communities in Los Angeles and San Francisco.

    Read more: Blog Entry APRIL 26TH, 2015


    FULL CALENDAR click here

    TODAY'S EVENTS 4/27/15


    8:00pm INTUITIVE COMPASS / HOT DAMN SCANDAL

    Coffee Gallery Backstage

    2029 N. Lake Ave., Altadena, CA 92675

    626-798-6236 This email address is being protected from spambots. You need JavaScript enabled to view it.


    FULL ONGOING MUSIC click here

    TODAY'S ONGOING MUSIC 4/27/15

    Ongoing Music


    7:00pm - 10:00pm UKULELE AT THE E.P. FOSTER LIBRARY (SONGMAKERS) second & fourth Monday

    E.P. Foster Library

    651 East Main St., Ventura, CA


    7:30pm BROMBIES BLUEGRASS every Monday

    Viva Cantina

    900 Riverside Dr., Burbank, CA 91506

    818-515-4444


    7:30pm KULAK'S WOODSHED OPEN MIC (SIGNUP AT 7:00PM) every Monday

    Kulak's Woodshed

    5230-1/2 Laurel Canyon Blvd, North Hollywood, CA 91607-4934

    818-766-9913


    8:00pm - 9:00pm CELTIC ARTS CENTER IRISH CéILí DANCE every Monday

    Celtic Arts Center @ The Mayflower Club

    4843 Laurel Canyon Blvd., Studio City, CA

    818-760-8322


    9:00pm - 11:00pm CELTIC ARTS CENTER IRISH MUSIC SESSION every Monday

    Celtic Arts Center @ The Mayflower Club

    4843 Laurel Canyon Blvd., Studio City, CA

    818-760-8322


    COLUMN OF THE WEEK

    March-April 2015

    PEOPLE GET READY FOR THE 
    10TH EVER LOS ANGELES OLD-TIME SOCIAL

    By David Bragger

    LAOTSFolks, this is a big deal. Ten years ago, a homegrown Los Angeles old-time music festival sprouted in Historic Filipinotown (just up the hill from downtown Los Angeles) from a desire to have an old time party ahead of the Topanga Banjo - Fiddle Contest. The First Ever Los Angeles Old Time Social (LAOTS) was a Friday night concert and then a Saturday backyard jam party/ square dance and was inspired by the spirit of the Portland Old Time Gathering and Berkeley Old Time Music Convention festivals. This is the tenth EVER and it’s time to really celebrate!

    Read more: PEOPLE GET READY - LOS ANGELES OLD-TIME SOCIAL

ARTIST: VARIOUS

TITLE: AMY HANAIALI’I AND SLACK KEY MASTERS OF HAWAII

LABEL: PETERSON PRODUCTIONS

RELEASE: 2010

By Audrey Coleman

Amy_HanaialiiI took one look at the cover of this CD and concluded that it was a shoe-in for the 2011 Grammy for Best Hawaiian Music Album. After five years of awarding it to compilations of slack key guitar music, the mucky-mucks could enjoy a refreshing twist on their love affair with slack key. Celebrated vocalist, Amy Hanaiali’i, who has lost out to slack key at the Grammies more than once, had teamed up with five masters of the beloved guitar tradition: Cyril Pahinui, Sonny Lim, Dennis Kamakahi, Jeff Peterson, and Chino Montero. It’s a dazzling collaboration and thoroughly enjoyable listening. Did it win the Grammy? No! This year the award for Best Hawaiian album went to a vocalist of more limited gifts than Amy and no hint of slack key guitar on the cover. Go figure! We move on...

Although it was recorded in a studio, Amy Hanaiali’i and Slack Key Masters of Hawaii has the flavor of a live concert. The musicians each get a turn being center stage, accompanying Amy, in some cases singing with her or playing slack key with one another. Not only do they display their gifts as musicians; in some cases, they showcase their own compositions.

ARTIST: VARIOUS

TITLE: AMY HANAIALI’I AND SLACK KEY MASTERS OF HAWAII

LABEL: PETERSON PRODUCTIONS

RELEASE: 2010

By Audrey Coleman

Amy_HanaialiiI took one look at the cover of this CD and concluded that it was a shoe-in for the 2011 Grammy for Best Hawaiian Music Album. After five years of awarding it to compilations of slack key guitar music, the mucky-mucks could enjoy a refreshing twist on their love affair with slack key. Celebrated vocalist, Amy Hanaiali’i, who has lost out to slack key at the Grammies more than once, had teamed up with five masters of the beloved guitar tradition: Cyril Pahinui, Sonny Lim, Dennis Kamakahi, Jeff Peterson, and Chino Montero. It’s a dazzling collaboration and thoroughly enjoyable listening. Did it win the Grammy? No! This year the award for Best Hawaiian album went to a vocalist of more limited gifts than Amy and no hint of slack key guitar on the cover. Go figure! We move on...

Although it was recorded in a studio, Amy Hanaiali’i and Slack Key Masters of Hawaii has the flavor of a live concert. The musicians each get a turn being center stage, accompanying Amy, in some cases singing with her or playing slack key with one another. Not only do they display their gifts as musicians; in some cases, they showcase their own compositions.

Prolific Dennis Kamakahi sings his delightful country-style E Mau Ke Aloha in Hawaiian and English, accompanying himself on guitar with room for a guitar solo by Chino Montero. Kamakahi shines as a slack key guitarist and vocalist, his deep rich voice combining with Amy’s in a poignant song composed by Queen Kapi’olani in the late 19th century Ipo Lei Manu.

Cyril Pahinui is keeper of the slack key tradition that his father, Gabby “Pops” Pahinui revitalized and popularized. Cyril shares vocals and plays guitar in a trademark Pahinui number, Hi’ilawe with Jeff Peterson adding his own slack key sound to enrich the accompaniment. Pahinui does a lively interpretation of Miloli’i on vocals and guitar with Sonny Lim spicing up the song with well-chosen steel guitar enhancements.

Amy sings her own composition Keawa Nui with loving attention to the art of falsetto that makes it clear why the mantles of falsetto greats Lena Machado and recently-passed Genoa Keawe have easily remained on her shoulders. A ukulele solo by Jeff Peterson kicks it up a notch.

Chino Montero gets to demonstrate his male falsetto singing and solid slack key technique in Makee ‘Ailana. Dennis Kamakahi plays one of the two slack key solos in this number, enlivening it with a contrasting style. I confess I have not followed Montero’s career as I have the other participants in this album, but I think he performs at a level that is harmonious with his peers.

An all-instrumental number, Vaqueros, brings together composer Sonny Lim with Montero and Jeff Peterson for a flamenco-flavored hats-off to the cowboys who brought the guitar to Hawaii.

I would be negligent if I did not mention the way Jeff Peterson’s talents permeate this album. No fewer than six of the sixteen cuts feature his compositions. My favorite is Pukana La on which he plays solo. He creates an otherworldly feeling with unusual chord progressions, sweet-voiced picking, and sensitive rubato. We also hear Peterson’s eclectic musicianship on eleven of the numbers, mainly slack key but also including classical guitar on Vaqueros and ukulele in Keawa Nui.

In the end, this is still Amy’s album. She opens with Fields of Gold by Sting, bringing to it heartrending nuances. Nevertheless, I find the song a strange choice for an album in which she and her friends otherwise celebrate Hawaiian culture and landscape. The mention of “fields of barley” made me wince despite the added Hawaiian lyrics. Do they even grow barley in Hawaii? Shouldn’t it be “through ponds of taro (traditional Hawaiian staple crop) or to use the old Hawaiian word kalo? Hmmm. The trouble is those ponds have you thigh deep in mud. I’ve been there. As we trudge through the sludge-ponds of kalo? Definitely not as romantic as barley fields. Enough! It’s a great album!

Audrey Coleman is a journalist, educator, and passionate explorer of traditional and world music.